BIS AUFS MESSER JUNE (No Trend, Spacemen 3, Uniform, Erik Ne

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BIS AUFS MESSER JUNE (No Trend, Spacemen 3, Uniform, Erik Ne

Messagepar ADAGIO830 » 08 Juin 2018, 12:15

hi. friday happy friday. So many new amazing records arrived this week along with lots of restocks of the like Dead Moon LPs, the BODY etc. We got new Iron Lung stuff, the long awaited NO TREND - Teen Love 7“ re issue, BAD TIMES - Streets Of Iron LP re issue, new TOTAL PUNK stuff, SPACEMEN 3 re issues via Superior Viadcut, CHRCH - Light Will Consume Us All LP & the CHRIST ON PARADE re issue via Neurot, DEUX - decadence LP restock, DRUX - s/t LP, Lots of new MISSISSIPPI / CAIRO titles, ERIK NERVOUS - Assorted Anxieties LP and other Neck Chop titles, HILARY WOODS - colt LP & the killer UNIFORM & THE BODY collaboration LP on Sacred Bones, NOCTURNAL PROJECTIONS re issues and more.

Also the GHOST BAG & TINE FETZ -s/t LP + comic is officially released and also the COLD LEATHER - smart moves LP on ADAGIO830.

June 12th - LOOSE TOOTH (Milk!, Australia) & Pigeon


Thank you
 Robert & Klose & Norman


ANDY HUMAN AND THE REPTOIDS - Refrigerator 7“ (total punk - From THE CUTS to TIME FLYS, BUZZER, LENZ and now THE WORLD and ANDY HUMAN AND THE REPTOIDS, ANDY JORDAN has had his hands in much of my favorite Bay Area music over the last 17 years. I don't think there is a track I played more DJing last year then "Sarcastic" off of the Reptoids 2016 7" on Goodbye Boozy. So it with much pride that Total Punk gives you two brand new tracks from Andy and his Reps. A bit streamlined (no sax) but still with all the glitter and grease you've come to expect from your reptile rock. Glammy bouncy punk jams from outer spaces biggest hitmaker. They pack a hell of a wallop and are 100% TOTAL PUNK!) 8.00

BERNADETTE CARROLL - heavenly 7“ (numero - Though not a household name, Bernadette Carroll is one of the more successful teen vocalists of the girl group era. She charted as a member of the Angels, as a solo act, and as a for-hire backup singer, performing on at least two #1 hits, selling over a million copies of each. You’ve heard her voice, whether you know it or not. Her early ’60s work with Hazlet, New Jersey, producer Tommy Falcone resulted in a handful of singles for the Cleopatra and Julia labels, including the syrupy ballad “Laughing on the Outside (Crying on the Inside)” and the upbeat dancer “Heavenly." Both have been remastered from the original analog tapes, pressed on high quality German vinyl, and housed in a stock Numero sleeve.) 8.00

BLACK PANTIES - Dirt From The Mop 7“ (total punk - t's been almost two years since we've heard Mr. Blac. What's he been doing with his downtime? He clearly hasn't been reading his four tracks owners manual, and based upon how long it took us to get this out he also wasn't checking his emails. But low and behold! It's finally here. The A side is a happy little number about being inferior to the flies gathered around a mop bucket that sounds like it very well could have been recorded at the bottom one. On the flip we get a four minute two chord scuzz punisher that's gonna shake those back molars right out of your head. Despondent, spit drenched and 100% TOTAL PUNK!( 8.00

DAUDYFLIN - Daudyflin 7“ (iron lung - 6 tracks of incendiary Icelandic hardcore punk custom built to destroy even the sturdiest of preconceived notions. Have no doubts, these fierce women (and FANNAR) of Reykjavík are laying down an unholy path to the icy acid bath that waits for us all. Hell has frozen over. Burn yourself all the way down with this one. Pogo to the prophecy beat. 350 copies on black vinyl housed in an ILR custom 12pt glued pocket sleeve with printed inner sleeve and download card included.) 10.00

GEWALT - wir sind sicher 7“ (this charming men - Die neue Gewalt 7″ mit dem Hit “Wir sind sicher” und “Guter Junge/böser Junge”  ( 6.00

NO TREND - Teen Love 7“ (digital regress - Only a handful of bands have been abhorred more than NO TREND were during their brief tenure on the D.C. hardcore circuit. Founded to bewilder and antagonize the harDCore scene (which the band felt was guilty of the same conformity that punk intended to rebel against), No Trend crafted an abrasive, dirge-industrial sound impossible to “slam dance” to. Their first self-released single “Teen Love” is a prime document of the band at their most cantankerous, with tracks like “Cancer” and “Mass Sterilization Caused By Venereal Disease.” The B-side title track, No Trend’s biggest hit if there ever was one, tells a bizarre pop tale of a budding teenage romance which violently and abruptly ends in a fiery car crash (“he was decapitated in an explosion of flame and glass fragments”). Few bands had a sense of humor as dark as No Trend’s—but they're not laughing with you, they’re laughing at you.) 10.00

PIERCED ARROWS - Paranoia/Ain't Life Strange 7“ (tombstone -  Back in stock! Pierced Arrows was Fred and Toody Cole's band after Pierced Arrows.  This single may well be the bands masterpiece.  Side A is a no holds bared dark psychedelic rocker.  Side B is a profound ballad sung by Toody.  Don't sleep on this one.) 7.00

VELVETEEN RABBIT - Mind-numbing Entertainment 7“ (hozac - As sad it was to hear about the demise of THE JEANIES by far NYC’s most addictive power pop band of the last half decade, we’re happy to announce their re-emergence as VELVETEEN RABBIT, now with far more polish and panache and pushing the boundaries of glam pop to unimaginable levels of euphoria. Whereas The Jeanies had a more ragged American pop feel like early Tom Petty meets Gentleman Jesse, Velveteen Rabbit are pure gloss & glam and far more fey, yet no less ferocious. Far less flavor of The Fevers here and more aligned with the breathy pop syrup of the gone-too-soon Brett Smiley and Milk N' Cookies, Velveteen Rabbit are one of the finest examples of modern glam, a genre soaked in 1970s over-production that’s virtually impossible to pull off in most cases. But sure enough, these two incredible songs are proof positive that it can be done, both massive tracks with deep, cavernous production and the impossibly great songwriting you’ve come to love, seeping out of every pore.) 7.00


BAD TIMES - Streets Of Iron LP (goner - In 1998, things were going south for friends Jay Reatard, Eric Oblivian, and King Louie Bankston. In between broken relationships, shattered homes, dissolving bands, and feeling low down, a collaboration was proposed. Jay and Eric trekked down from Memphis with some songs and ideas for songs, listening to Funkadelic and bad Killed By Death-styled punk songs for the six hours to see Louie in New Orleans. One day was spent learning songs, one day recording songs. Eventually they played one show in Normal, IL, opening up for Guitar Wolf. The result of this recording was a blast of punk, garage punk, and psychedelic mayhem. Indeed, the hours listening to Funkadelic did pay off. Jay stole some lyrics and some heavy fuzz solo style from George Clinton and the gang. Eric stole a couple songs from Japanese punk legends Friction and Texaco Leather Man, and tried to mention his favorite sumo wrestler Konishiki whenever possible. Fittingly, when Jay and Eric returned to Memphis, Jay found all his belongings—clothes, guitars, amplifiers—out on his front lawn, as his mom had returned to their house and kicked him out while he was away. Bad Times, indeed!) 18.00

BLUE LAWYER - Guess Work LP (emotional - Oakland, California—BLUES LAWYER is ROB I. MILLER (MALL WALK), ELYSE SCHROCK (THE WORLD), NIC RUSSO (DICK STUSSO) and ALEJANDRA ALCALA (PREENING). Founded in Oakland last year at the edges of these more formalized projects, Blues Lawyer launched as an outlet for friends Rob and Elyse to air their romantic woes over a shared pop sensibility; originally the two had planned it as a comically brief experiment. The group started with the intention of only playing two shows but morphed into the primary outlet for their tragic and hilarious romantic encounters. Rob and Elyse first met as co-workers at a record store in 2012 where they bonded over bands from the Flying Nun label such as the Clean and the Bats, which surface in the music the two now make together. Recorded over two days by ANDREW OSWALD at Secret Bathroom in Oakland, Guess Work, combines punk-like pace and concision with a measure of pop sentiment and wit, eliciting comparisons to bands such as Television Personalities, the Vaselines, and Wire.) 17.00

CASUAL HEX - Zig Zag Lady Illusion LP (water wing - CASUAL HEX is a three-piece formed in Seattle, WA, in 2015. Drawing influence from a variety of genres (post-punk, no-wave, noise rock), The band relies on the contrast of heavy, catchy, minimal, and dissonant. It’s difficult to draw a direct lineage, but flashes of Pylon, The Contortions or early Sonic Youth come to mind. ERICA's voice is a commanding narration, stern in delivery. Lyrical content is heady and cryptic, encouraging the listener to question human behavior and inspire positive change. Clocking in at 21 minutes, Zig Zag Lady Illusion is as much of a full length as you’re gonna get with most songs not even hitting the 2 minute mark. This is Casual Hex’s debut on Water Wing and their first effort to be pressed on vinyl. Limited to 300 copies.) 18.00

CHRIST ON PARADE - A Mind Is A Terrible Thing LP (neurot - “Christ On Parade started in 1985, rising from the ashes of local bands Treason and Teenage Warning.  Like much of the punk music at the time, they had an intensely political edge and very serious lyrical approach. The “Peace Punk” scene of the early ‘80s Bay Area—typified by local bands like PLH, Treason, Trial, Crucifix, and Atrocity, and heavily influenced by British anarcho-punk—had a formative influence on many bands in the scene including Christ On Parade. “The band coalesced into a unique hybrid of influences that could have only happened in the venue / living space that most of the members dwelled in, Emeryville’s New Method warehouse. At that time, a lot of the Oakland punks were into the almost “prog-punk” stylings of bands like the Subhumans, Santa Rosa’s Victim’s Family, and the darkly paranoid spasms of England’s Rudimentary Peni. Musicianship had become a virtue rather than a non-issue. This confluence of sounds and ideas, and the fact that the East Bay was awash with LSD in those days, led to the band’s classic album, A Mind Is A Terrible Thing.) 22.00

CHRCH - Light Will Consume Us All LP (neurot - Standing at a crossroads of light and dark, Sacramento’s doom quintet CHRCH wields epic, lengthy songs, massive low end and an occult vocal presence in a perfect blend of height and depth. They have been hard at work crafting their particular sound since late 2013. There is no image or campy gimmick to uphold, only the humble glorification of their fundamental musical elements. The band’s second full length, Light Will Consume Us All, carries with it the same quality of songwriting that caught the attention of fans worldwide on their first release, Unanswered Hymns (Battleground Records, 2015), a sprawling roller coaster of an album. Long form songs build and heedlessly dismantle as the band reaches sonic heights and beautiful plateaus. Severe, sometimes unrelenting, vocals contrast melodic singing; massive fuzz gives way to clean guitar parts. Building upon this unyielding foundation, this latest album continues the band’s narrative, traversing life’s epic journey of loss, reclamation and, ultimately, finding hope within the darkness.) 22.00

CLOWNS - bad blood LP (tcm - In 2015 Clowns have unsolicitedly carved their name into the walls of the Australian punk rock hall of fame. The success of their most recent full length Bad Blood has seen them smash sold out shows and festivals nation wide, appear at the 2015 SxSW festival, become the first ever Australian act to (dis)grace the prestigious Riot Fest line up in Chicago and achieve high rotation on national radio stations and bedroom record players alike. Combining a vicious base layer of punishing punk rock combined with influences that range from 77’ punk, to underground Australian rock, as well as thrash, doom, noise and powerpop all loaded with chaos, energy and fun. Clowns really know no boundaries in regards to leaving punters stoked that they left their couches and came out to see them at a show. With two full length LP’s under their belt including 2013’s “I’m Not Right” which ranked in at number 5 of national radio’s ”Short Fast Loud’ top 40 releases of 2013, as well as the already highly acclaimed follow up LP ”Bad Blood” released in early 2015, Clowns are heavily equipped with the right credentials to back up their impressive live show.)14.00

COLD LEATHER - smart moves LP (adagio830 - 9 song debut album after a stunning 7" and Demo. Well, Cold Leather sound like neither. In fact, they probably sound as if no punk band had existed from ’74 on. They play those tasty classic rock type riffs with a groovy rhythm section and have the same sexy teenage urgency that you feel when you listen to The Runaways. It’s like they were punks before there was punk – and I don’t mean power-pop. I’m thinking about that period of time when rock was dangerous and sexual and it wasn’t necessary to differentiate it from all the commercial bands’ bullshit. And believe me, if Cold Leather have one fault, is that the short duration of their single and demo leaves us wanting more. For a whole lot more." (cvlt nation /HUGO FILIPE LOPES) Recorded July 2017 by T - Rex at Allee der Kosmonauten  Mixed and mastered by Daniel Husayn at North London Bomb Factory  Artwork by Zsa Zsa - 500 LPs with heavy card board cover & silk screened inserts) 13.00

DEUX - decadence LP (minimal wave - We’re pleased to announce that the re-press of the Decadence LP by French duo Deux will be available on January 3, 2013. Gérard Pelletier and Cati Tete formed Deux after meeting in Lyon in 1981. Their music can be described as minimal synth with stripped down rhythm compositions and suitably cold duets. Their influences are a perfect blend of Kraftwerk and French synthpop. Between 1983 and 1992, they released a cassette and several rare singles. They also appeared on the V/A BIPP LP (2006) and on the V/A The Minimal Wave Tapes: Vol 1 LP (2010). Check their lovely videos linked below. The Decadence LP features selections of their old material, newly remastered. It is a hand numbered second edition of 999 copies, pressed on 180 gram vinyl and housed in a heavy matte jacket) 23.00

DIVIDE & DISSOLVE - basic LP (It's hard to believe that DIVIDE & DISSOLVEare only a two-piece, as their Neo-Classical take on crushing Doom/Drone is so brutally and overwhelmingly physical & powerful, that when experienced live it has literally caused people to lose control of their bodily functions. Their 2017 LP BASIC is a passionate and honest ode to Black Empowerment & Indigenous Sovereignty—both celebrating and mourning at once, this album is emotive, heavy and vital. Using just Electric Guitar, Drums, Saxophone & Effects, this Texan-Australian duo create booming sonic landscapes & somehow take metal to an entirely new place. For fans of Sunn O))), Boris, Black Metal & Doom, and designed specifically to empower Black & Indigenous people the world over. Australian import (note: some copies have very slight jacket dings).) 17.00

DRUX - s/t LP (static age - Straight ahead 80s style influenced hardcore filled with punching mid tempo parts, showing hints of classic Boston style like SSD with the UK82 sound of Chaos UK. There‘s a video of an old Negative Approach show where a bunch of young Hardcore kids are going wild in front of the stage. They were singing along and slam-dancing to every single song. Every time I think about this gig I’m like ‘Damn, I need to time-travel straight to the 80’s’. As this won’t work out in the near future I’m more than stoked about the fact that there’s a new band from Leipzig / Germany that brings back the same energy and the same raw style that my heroes from the past had to offer. The first full length release from DRUX makes me wanna cut my hair with a rusty razor and to smash my head against the wall, as every single song brings this positive kind of aggression I’ve been searching for far too long.) 12.00

EDDIE AND ERNIE - Time Waits For No One LP /cairo -   The first ever vinyl LP compilation of songs by the great Eddie and Ernie!  The duo produced tons of great singles throughout the 60's and early 70's.  This LP features a couple dance numbers, but mostly slow dramatic soul ballads reminiscent of the best moments of more well known acts like Sam and Dave and Otis Redding.  Some pretty eerie soaring vocals and existential lyrics of the highest order.  Under appreciated in their time, Eddie and Ernie are two of soul musics greatest talents!  Old school "tip on" record cover and classy black inner sleeve.  One time limited pressing.  ) 18.00

ERIK NERVOUS - Assorted Anxieties LP (neck chop - You familiar with this, uh... this four-eyed yankee kid... calls himself ERIK NEUTRON, or something of the like. Legend has it that at a very young age, Erik was forcibly uprooted from his suburban home by an intense gust of wind, propelling his infantile body in a near-perfect spiral towards America’s Rust Belt. There, he found himself lodged in a strange, mystical land, to which some leather-donning yokels have taken to calling... “NWI-cago”. Using a small, hexavalent chromium-stained seashell, Erik spent his youth studying music through the sounds of the ocean, recording rock songs of his own creation onto multi-colored floppy disks. He called it... “Devo-core”. All was peaceful in the land of NWI-cago, up until a small, green goblin-man, Limpy, and his friend, the ex-host of Nickelodeon’s Double Dare, scurried away with Erik’s floppies in hand, redistributing the music on their own respective record labels for the general populace to dissect. The rest, my friend, is history.) 17.00

FRANCO BATTIATO - clic LP (superirp - On his fourth album, Clic, Franco Battiato moves further out—into realms of pure and elemental approaches to sound—to create a seminal work that flows naturally from one musical form to the next. Every second ripples with orbital chords, kosmische textures and schizophrenic string quartets, yet somehow manages the same dramatic pacing and variety as his avant-rock albums Fetus and Pollution. Originally released in 1974 on Bla Bla, Clic features Battiato on VCS3 synthesizer and piano, along with trusted collaborators Gianni Mocchetti on guitar and Gianfranco D’Adda on percussion. While only “No U Turn” bears the maestro’s voice, these seven tracks contain some of his boldest melodies, an underlying thread that runs through the choral arrangements and meditative compositions. Clic’s dedication to Karlheinz Stockhausen comes into focus on the final piece, “Ethika Fon Ethica”—a rapidfire journey into Italian shortwave radio, interrupted by fleeting fragments of folk music from around the world (sampled from Henry Cowell’s celebrated Folkways compilations from the 1950’s). It’s the perfect ending to Battiato’s beautiful and expansive tour of the cosmos, signaling the uncompromising experimentalism that would dominate much of the composer’s mid-1970s oeuvre. Superior Viaduct presents the first-time domestic release of Clic. Reproducing the original gatefold jacket and booklet, this reissue is part of an archival series that chronicles Franco Battiato’s masterful body of work from 1971 to 1978.) 27.00

GELD - Perfect Texture LP (iron lung - Swirling psychedelic D-Beat madness from Melbourne, Australia with members of KRÖMOSOM and POWER. Acidic fuzz guitars and wild distorted vocals snarling out eleven songs about suffering, vulnerability, paranoia and banality are what make up the perfect texture of living in today's doomed world. Perfect Texture offers about as much comfort as a swarm of angry bees whose nest has just been kicked. Includes a huge full-color poster, lyric sheet and download card come housed in a 24-pt UV coated jacket.) 18.00

GHOST BAG & TINE FETZ - s/t LP + Comic (adagio830 - 300 black / 200 clear with a 40 page riso printed zine ‚Ghost Bag & Tine Fetz' is the outcome of a long distance correspondence between Netherlands based musician Nick Jongen and Berlin based illustrator / comic artist Tine Fetz.  “What started as the loose concept of “Tine draws, then Nick records” turned into an artistic and personal dialogue that neither of us saw coming. It took two intense months to shape this project, sharing secrets and getting closer along the way. Drawing and recording every free minute we had, ‘Ghost Bag & Tine Fetz’ became the narrative of our fever dream.”  All illustrations were made by Tine in Berlin, Germany and Pafos, Cyprus. All audio was recorded and mixed in Nick’s bedroom in Maastricht, Netherlands, except for the field recording on ‘At The Movies’, which was made at Rockaway Beach, NY, USA. Mastered by Jack Shirley at The Atomic Garden studio in San Francisco, USA.  This project will be released as a gatefold lp & 40 page riso printed A4 zine. The lp holds all the home recordings & the zine contains all illustrations and lyrics.  Nick is also in bands Sleep Kit, Baby Galaxy, and I Am Oak. This is the first release as Ghost Bag. Tine published a book called ‘This Is Not Uganda’ (Jaja Verlag) and has a weekly cartoon in German newspaper Jungle World. ) 16.00

HILARY WOODS - colt LP (sacred bones - Hilary Woods’ artistry is one of rare emotive reach. Her minimalist and compositional finesse combine with densely layered atmospheric instrumentation and dreamlike vocals to create music rich with both delicacy and intensity. The Sunday Times hailed her early solo recordings as “a revelation.” The power at the heart of Colt is a siren’s song, at once mysterious, dark and beautiful, pulling you in. Opening song “Inhaler” is a conceptual cry for oxygen, illustrating the desolation felt in the absence of a lost lover, but the song’s velvet fluidity feels like a long, enveloping exhale. “Jesus Said” is an entrancing expression of abandonment and catharsis, seeking absolution where none can be found. Percussion is sparse and intentional throughout the record, and “Jesus Said” is one of few songs with prominent beats. When the beat finally breaks the tension of the longing introduction, it creates an intoxicating kaleidoscope of rhythm and improvised piano. Written and recorded at home in Dublin, Colt was mixed by and co-produced with James Kelly (WIFE, Altar of Plagues) in Berlin in the winter of 2017. The dynamics of the production serve to temper layers of instruments, giving the compositions breathing room to match their pacing.) 18.00

HYSTERESE - s/t (3) LP (this charming man - new 3rd LP by this german punk outfit) 13.00

JESS WILLIAMSON - cosmic wink LP (mexican summer - On Cosmic Wink, JESS WILLIAMSON's third album following the self-released Native State and Heart Song, an artist emerges as another self in love, under California’s influence, and a part of an even wider consciousness. Cosmic Wink is a record about how vulnerability can feel something less vulnerable when love—true, deep love—creates a latticework of strength underneath the frame of our humanity.) 23.00

KAREN MEAT - You're An Ugly Person LP (emotional - Based between Des Moines and Iowa City, KAREN MEAT is the genre-hopping project of ARIN EATON. The Karen Meat band is a moody character; like a sequined oversized sweater, crooning melodies and lyrics of a bored generation. You’re an Ugly Person expands on Karen Meat’s November 2016 tape release, She’s Drunk Like The Rest Of Us. An EP that saw Eaton steer away from her DSM band forays (with Brad Turk, John Huffman) as Eaton collaborates with her business partner, DANA TELSROW. Glittering with memorable beats, '60s-girl-pop inspired vocals, sprinkled with guitar flights of fancy from Dana, and topped off with co-ordinated outfits. Together Eaton and Telsrow have toured the US, and as anyone who has witnessed will testify, create a phenomenal, cannot miss, live show through delightful co-ordinated chaos. Realistically, pop songs should be fun AND sad. Karen Meat embraces the power of rejection and depression as themes for her music, and her upbeat tunes are gems of sarcasm and truth.) 17.00

LENA PLATNOS - Lepidoptera LP (dark entries - Lena Platonos is a Greek musician, pianist and music composer. She was one of the pioneers in the Greek electronic music scene of the 1980s, and she remains active today. Lena was born on the island of Crete and grew up in Athens. She began learning how to play the piano at the age of two and became a professional pianist before turning eighteen. Soon afterwards, she received a scholarship to study in Vienna and Berlin, where she was exposed to jazz, rock, and Middle Eastern music. She returned to Greece in the late 70’s and began working with the Hellenic Broadcasting Corporation. She released three collaborative albums between 1981 and 1983, but it was her “triptych” of solo albums, Sun Masks (1984), Gallop (1985), and Lepidoptera (1986) that would lead many to call her the “Greek Laurie Anderson” or “mother of Greek electronica”. Released in 1986, Lepidoptera was Lena’s third solo album, which was inspired by a scientific book on butterflies she found in a trashcan one day. The Latin genus and species names were mysterious and paralleled the changes in Lena’s personal life. “My concern in this work is transformation as a metaphor, or transcendence as an existential condition,” says Lena. Compositions follow minimalistic motifs and carefully-staged soundscapes. Vocals are processed through electronic filters, and at times plays a central role. Lena’s surrealistic verses are delivered in a direct fashion, touching on themes of metamorphosis, rebirth, love, and alienation. At times, she expresses tenderness; at others, a childlike innocence.) 18.00

LIQUIDS - Hot Liqs Revenge LP (neck chop - Generally speaking, the punk rock ethos is one slightly muddled by its own paradoxical philosophy; the idea that, as an accessible do-it-yourself three-chord act, you’re expected to exercise the genre’s “devil-may-give-no-fuck” attitude in order to create confrontational bouts of raw, intimate music that barks in the face of your oppressors—internal, external, or otherwise—and celebrate everything that makes punk so intrinsically cathartic and empowering. But of course, all of this means jack-shit when nobody can make out what the fuck you’re saying. That’s why a band like LIQUIDS—brainchild of Indiana’s MAT WILLIAMS, best known for his time playing in THE CONEHEADS, DAGGER, THE FRITZ, GUINEA KID, SCABS and PUKEOID—is one whose worth as a garage-y, glam-like solo project is elevated so far beyond its immediate deluge of vibrant, squeal-prone hooks and brilliantly infectious rock ‘n’ roll melodies. Since the band’s debut in early 2015, Liquids has always been an honest, shamelessly human introspective projected through the lens of highly electrifying rock ‘n’ roll fits, beautifully melding garage, pop, blues, and even hardcore sensibilities into a perfectly condensed lo-fi punk rock chassis. It is music so unabashedly pained and discontented, with lyricism veiled in a venomous sheet of nihilism and destructive impulses craving immediate discharge, that it only serves to magnify the songs’ uncontainable amounts of upbeat, yet bittered passion. As intense as it is intelligent, Mat’s continual usage of the Liquids handle has culminated in a discography chock-full of songs guaranteed to be underground hits once we’re all dead and gone. “Hot Liqs’ Revenge” is no different, compiling an assortment of pre-existing recordings onto one convenient wheel ‘o’ wax, exemplifying the eclectic, savant-tier songwriting coming out from one of the most rightfully-revered D.I.Y. musicians of the Midwest. Long live Liquids.) 17.00

LTD - s/t LP (in teh red - What happens when you put King Khan and Sean Wood from The Spits together? The results are Louder Than Death aka LTD. This mini-album is the first collaboration between the two titans of garage-punk and the results are as bonkers as you’d hope. Sci-fi inspired punk meets weirdo synth damage that’s as deranged and dumb as you’d hope. Since the recording of this debut release the band have added Aggy and Looch from the Magnetix to the line up and recorded an album (out later this year on In The Red) of blistering, whacked-out punk rock that is guaranteed to blow minds. Watch for the band on tour!) 18.00

MICHAELA MELIAN - Music From A Frontier Town LP (martin hossbach - Following the U.S. Army’s liberation of Munich in May 1945, the world’s first Amerikahaus was inaugurated there with a library, a magazine reading room, a children’s library, a record and lm department, and lecture and seminar rooms, together with a concert hall and exhibition space. Up to 80,000 people a month utilized the offerings of Amerikahaus during its early years. Beginning in 1953, the United States Information Agency (USIA), an institution founded as an instrument of the Cold War, began to finance Amerikahaus. In addition to representing the U.S., its principal task in West Germany was to democratize and denazify the postwar population. After the beginning of the Cold War, many of these re-educative measures also served as propaganda in a programmatic linking of democratic and economic principles meant to strengthen transatlantic relations against the Communist Bloc. In 1997, the U.S. government concluded its work at Amerikahaus in Munich and shipped almost all its items back to the States. However, 1,630 long-playing vinyl records from the library were left behind in cardboard boxes in the basement. When Michaela Melián looked through this forgotten collection, one of the first things she came across was Don Gillis’ 1940 tone poem »Portrait of a Frontier Town«, whose second movement is entitled »Where the West Begins«. Don Gillis, a composer and radio producer, used the musical styles and genres of that decade to create an explicitly American program music. Michaela Melián’s »Music from a Frontier Town« is fueled by the diverse sonic material of this extensive record collection once considered as an instrument of cultural education.) 18.00

NOCTURNAL PROJECTIONS - Complete Studio Recordings LP (dais - Dais Records unveils the first ever vinyl reissue collection from storied New Zealand post-punk outfit NOCTURNAL PROJECTIONS. “Complete Studio Recordings” comprises the band’s three original highly sought-after vinyl releases on one record – remastered. Formed in Stratford, near New Plymouth, New Zealand in 1981, Nocturnal Projections was the explosive project of legendary and prolific brothers Graeme and Peter Jefferies (who would later form This Kind of Punishment before launching their solo careers), who along with friends Brett Jones and Gordon Rutherford, created some of the most explosive, dark, and influential avant-garde punk rock to emerge from the country. Largely ignored during their tenure (but revered and referenced in the years after their breakup) and often compared to UK contemporaries like Joy Division, Comsat Angels, The Fall, or Wire, Nocturnal Projections stood well apart - never enjoying the luxuries of unlimited studio time, music videos or international fame, the NPs possessed a driven, rough-hewn serrated edge that cut through the lot comparisons to the UK post-punk exports of the era. They were ahead of their time, completely singular, and for those that had the benefit of seeing Nocturnal Projections play live – formative, with a dedicated cult following to this day. Nocturnal Projections are hard to pin down: bright, slashing, and prominent guitars with driving solid basslines and drums in tight lockstep, all with Peter Jefferies’ urgent signature baritone vocals soaring alongside – the result is still perhaps the most energetic, unique, and fresh music to ever emerge from the post-punk scene.) 23.00

NOCTURNAL PROJECTIONS - Inmates In Images LP (dais - Dais Records unveils the first ever live and rare vinyl collection from storied New Zealand post-punk outfit NOCTURNAL PROJECTIONS. “Inmates In Images” comprises the band’s best and rare material recorded right off the board at key gigs, capturing the unique and unbridled energy of the NPs. Inmates & Images (DAIS113) is issued alongside the vinyl studio collection: Complete Studio Recordings (DAIS112). Formed in Stratford, near New Plymouth, New Zealand in 1981, Nocturnal Projections was the explosive project of legendary and prolific brothers Graeme and Peter Jefferies (who would later form This Kind of Punishment before launching their solo careers), who along with friends Brett Jones and Gordon Rutherford, created some of the most explosive, dark, and influential avant-garde punk rock to emerge from the country. Largely ignored during their tenure (but revered and referenced in the years after their breakup) and often compared to UK contemporaries like Joy Division, Comsat Angels, The Fall, or Wire, Nocturnal Projections stood well apart - never enjoying the luxuries of unlimited studio time, music videos or international fame, the NPs possessed a driven, rough-hewn serrated edge that cut through the lot comparisons to the UK post-punk exports of the era. They were ahead of their time, completely singular, and for those that had the benefit of seeing Nocturnal Projections play live – formative, with a dedicated cult following to this day. As residents of New Plymouth’s Lion Tavern during their first year as a band, they perfected their soaring, impactful live set locally (often as the only band, without an opener and 3 hours to fill!) before heading off to Auckland in January of 1982, performing with bands like The Fall, John Cooper Clarke, and New Order at venues like The Mainstreet Cabaret, The Rumba Bar and Reverb Room. Over the next two years in Auckland the band would record 3 vinyl records (collected on the companion release to this record, “Complete Studio Recordings” DAIS112), write nearly 100 songs and play over 150 gigs.) 23.00

OLIMA ANDITI - Where Else Would I Be? LP (mississippi - Olima Anditi is an innovative guitarist and singer known and loved throughout Western Kenya. Blind since childhood, Olima travels the trucking routes along Lake Victoria, playing haunting, gorgeous tunes passed down through generations. He's a local legend, helped along wherever he lands.  This intimate session, recorded at Olima's rented room in Kisumu, Kenya in 2010, is being released for the first time on vinyl and digital. Since the appearance of some of these tracks online in 2012, some Kenyan music fans and scholars have questioned the authenticity of Olima Anditi, claiming this musician is occupying the place of an artist who died long ago. Vinyl and digital versions of this album include an essay about the controversial origin stories of Olima Anditi and finally clear up this mystery. All versions of the album include lyrics in English and Luo in a 14-page booklet. ) 18.00

OREN AMBARCHI / KASSEL JAEGER / JAEMS RUSHFORD - face time LP (Face Time is the second release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford, following on from their 2016 debut Pale Calling. Recorded at the GRM studios in Paris in June 2017, the record immediately returns to the idiosyncratic sound-world of the trio’s first release, a simmering stew of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords. But before long the record takes an unexpected turn, as sounds that initially enter as occasional percussive pitter-patter build to a halting rhythm. Equally reminiscent of Basic Channel-style dub techno and the sound of a microphone loose in a pocket, these stumbling rhythmic figures provide the framework for the remainder of the record’s two sides, occasionally receding into the background to allow squelching electronics, chiming bells, distorted autoharp, inchoate grunts and the sound of a Cristal Baschet to take centre stage, but each time returning with the inevitability of a an idée fixe) 25.00

PEP LLOPIS - Poiemusia La Nau Dels Argonautes LP (iemusia La Nau Dels Argonautes offers a Mediterranean journey, one that Ulysses, Aeneas, and Jason with his Argonauts charted first and Valencian artist, Pep Llopis, retraced and retread from the islands of Menorca to Santorini. All of his experiences are aboard this vessel of sound: no format in mind, no course but the chasm within self. Poiemusia La Nau Dels Argonautes offers a musical language that any listener can understand. Untethered to the meaning of words, one is set adrift and free in minimalist sound and traditional music.) 20.00

RANGE RATS - s/t LP (mississippi - Fred and Toody Cole's (from Dead Moon, the Rats etc) country band recordings from 1987! Great raw and rugged rocking' country tunes recording during the break between the Rats and Dead Moon. Most songs with full band accompaniment, but two songs at the end with guitar, bass and an off kilter drum machine named “Rolly”. Great lost recordings not to be missed.) 17.00

RANDY AND THE RANDIES - s/t LP (randiful - RANDY AND THE RANDIES, a garage punk band was originally formed in late 1979. They are of the Portland music lineage traced back through Jennifer to FORMICA AND THE BITCHES and the Neo Boys, becoming the strange little brother band to these more famous UNDERGROUND greats.They were privileged to be a part of the early PORTLAND DIY scene, and helped redefine what it meant to be in a band. With instruments provided by FRED & TOODY COLE, the same way many emerging outfits got their start, the band was off and running. Included in Mark Sten's book, ALL AGES: THE RISE AND FALL OF PORTLAND PUNK ROCK, 1977-1981; the band's original cassettes and 8-track recordings were recently remastered by MIKE LASTRA. And, in 2015, Jennifer Lobianco, along with her former band, Neo Boys, were inducted into the OREGON MUSIC HALL OF FAME.) 20.00

RITUAL CHAMBER - the pits of tentacled screams LP (Ritual Chamber is the most recent project of the prolific Dario J. Derna (aka Numinas) who is most well known for his work with Krohm and Infester among the many other entries on his résumé (Vetus Obscurum, Drawn and Quartered, Evoken, and Funebrarum among others). This demo, entitled “The Pits of Tentacled Screams,” is the first Ritual Chamber release and features Derna on all instruments. Ominous and oppressive, this demo reeks of the glorious stench of cadaverine. Amid the glut of Death Metal releases over the past decade, Ritual Chamber stands out in its ability to conjure a melancholic aura while retaining the intensity and focused precision of classic Death Metal. This is due, no doubt, to the nearly 25 years that Derna has dedicated to honing his skills in playing some of the most evocative Death and Black Metal produced in the United States. The quality of this demo suggests that, as this project continues to mature, Ritual Chamber may be the most effective of Derna’s many endeavors.) 14.00
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Re: BIS AUFS MESSER JUNE (No Trend, Spacemen 3, Uniform, Eri

Messagepar ADAGIO830 » 08 Juin 2018, 12:16

SHATTERBOX Strung Out On The Line LP (DIG! Records Archeological Division presents Strung Out on the Line, the all but lost private press powerhouse LP from SHATTERBOX. The band formed in 1979, at a major and sketchy (read: majorly sketchy) generational crossroads for what threatened to be the last gasp of Rock’n’roll in the ‘70s, and the shaky-new directions it’d take in the ‘80s. Recorded in their Seattle basement, the band utilized a mobile studio unit a la a low-rent D.I.Y. Exile Main on St., and self-released the album on New Year’s Day 1981 in an unknown quantity, and in an array of handmade album art designs: stencil and spray paint; paste-on Xerox cutout; and bare-white factory sleeves, Shatterbox never followed standard operating procedures and Strung Out on the Line captures the band’s wild and ragged original sound and style in full. Newly restored and remastered by DAVID ECK from the original quarter-inch reels and housed in properly printed jackets with liner notes displaying the numerous versions of album art and an oral history from the band’s sole surviving member, Richard Pleasant, this LP is finally receiving the presentation it deserves. Rocketing through twelve brash and energetic cuts of exuberant Punk Rock and raw Power Pop, the album sonically falls somewhere between The Heartbreakers, Nervous Eaters and either—or, better yet—both iterations of The Gizmos.) 18.00

SKOGEN – Skuggorna Kallar LP (nordvis - Under a frozen Swedish moon, Skogen have their sonic pentagram of albums in homage to the stark, nebular beauty of their motherland. Theirs is a blackened folkish metal possessed by the mysteries of nature and dedicated to paying homage to its majesty, both in light and darkness. This polarity is felt in the music as subtly beautiful melodies and clean vocals are woven into the more pervasive darker tones that saturate Skuggorna Kallar, like the blanket of night, heavy with dew. You could say that it is simultaneously the band’s most complete and darkest work to date. Our sonic journey starts at the onset of a Nordic eve, as the sun shines its last reluctant rays on the bleak landscape. Dark omens are foretold by our shrouded companion, or is it Loki, playing with our minds as the frostbite takes hold, numbing our brains and weakening our defences. Finally, the sun’s blood seeps through the seemingly impenetrable fog of pre-dawn grimness and we are arrived at our final destination, beneath the mighty ash -Yggdrasil. Only then do we realize that the gods have indeed played laid down our final card and the funeral rites begin. Valhalla awaits.) 24.00

SSLEEPING DESIRESS -Ssleeping DesiresS LP (onderstrom - Coldwave / darkwave debut album by San Fransisco based producer Gabriel Ramos. While the band has gone through a few lineup changes Ssleeping Desiress has essentially remained the brainchild of Gabriel Ramos, who is now the sole member. Ssleeping Desiress is certainly a gem in the electronic underground, the album runs along the boundaries between minimal synth, coldwave, and electro with lyrical themes being gentrification, coping with death, artistic drive and confusion and the ephemeral nature of relationships. The only Ssleeping Desiress release so far was the great A Voice / Sister 7inch on the FlexiWave label in 2012. They also appeared on numerous new new wave compilations in the last couple of years. The self-titled album presented here takes the project to the next level. Kicking off with an echoing voice over repetitive drums and outbursts of synths & guitars, slowly moving towards a more darkwave sound on the second half of the album. Gabriel Ramon started making solo recordings while living in Portland, Oregon around 2005. Being inspired by the culminating factors of the DIY drive of the city, hosting live shows at his house, which frequently would host friends' bands from San Francisco and his growing fascination and voracious consumption of music: "I can really trace it to the first time Spector Protector played at my house and getting a tape afterwards from one of the two members, Eric Davis. That and being freshly exposed to groups like Suicide and Arthur Russell was very inspirational to begin recording music on my own, though it is something I had done fairly aimlessly since high school. I make an effort and try and change my process as much as I can (usually through collaboration) and vary the instrumentation. I try and incorporate a late 70s punk vibe, a marriage of dub and krautrock repetition and cavernous space.) 20.00

SOFT KILL - Savior LP (profound lore -Portland, Oregon’s Soft Kill ripped through 2016 with Choke, the follow up to 2015’s Heresy. It became the band’s most acclaimed album to date and saw them on a constant touring cycle through North America and Europe. The band now returns with the triumphant follow-up Savior, released by Profound Lore Records, bringing a unique blend of gloom laced with pop charm and flawless songwriting that transcends the post-punk genre. The writing for this album was influenced by tragic events in frontman Tobias Grave’s life, including songs about losing his son, his battle with drug addiction, and the empty space suspended between mourning and celebration, life and death. Recorded and mixed in Kingsize Sudios in Los Angeles and produced by Benjamin Greenberg (Uniform, The Men, Algiers), this band has matured into a powerhouse, effortlessly combining genres, always with Grave’s powerful, raw emotional storytelling. From the pop perfection of “Trying Not to Die” to the swelling and crushing guitars on “Hard Candy” to the unrelenting dirge of “Bunny Room,” Savior is a creative tour de force.) 22.00

SPACEMEN 3 - Taking Drugs To Make Music To Take Drugs To DLP (superor - Amidst the swirl that is Spacemen 3’s discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position --- one right at the nexus between their garage beginnings and their expansionist future. While much of this material is expanded upon via Sound Of Confusion and The Perfect Prescription, many devotees consider these urgent, minimally treated recordings as the prime document of Spacemen 3 at this stage. Taking Drugs To Make Music To Take Drugs To casts Spacemen 3 alongside the mid-80s cadre of UK front-line rockers, contributing a distinct variation of high pop shining through layered noisy guitars.  Ultimately, this collection serves to exalt the strength of Spacemen 3’s songwriting over the atmospherics and production assemblage that would permeate their later efforts.  Be it the rave-up rendering of “The Sound Of Confusion” or the churning take on “Losing Touch With My Mind”, these full band recordings capture the excited and inspirational spark of psychedelia rather than deep-dive ruminations on sonics and space.) 32.00

SPACEMEN 3 - Playing With Fire LP (superior viaduct - Spacemen 3 began assembling their third album, 1988’s Playing With Fire, at perhaps the freest, most confident point in their career. Recording began with the band road-tested and rugged, even amidst the functional volatility that famously motivated their course. The sessions’ first offering came in the form of “Revolution,” a single of heroic Stooges-devotion and the most commercially successful release the group had to date. High expectations for the album were soon exceeded, as Playing With Fire would become Spacemen 3’s crowning studio achievement and cement their rightful place on the vanguard of otherworldly rock ‘n’ roll. An exquisite mix of stuttering tremolo guitars and wistful melodies, Playing With Fire sheds any trappings of revisionism and furnishes a nuanced grade of psychedelia. Epic entries like “Suicide” (named after the notorious NYC band) and the mesmeric “How Does It Feel?” catch Spacemen 3 at their celestial apex, the very point where their collective writing, performance and production would crest and wondrously splinter. Includes download card and new insert with liner notes by Marc Masters.) 28.00

SPACEMEN 3 - Recurring LP (superior - 1990’s Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3’s departing statement surely reveals a deep divide within the S3 camp—each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other’s songs—Recurring maintains a cohesive, dreamy feel with its chief sonic officers backed by fellow travelers Will Carruthers, Mark Refoy and Jon Mattock. Opening saga “Big City (Everybody I Know Can Be Found Here)” marries ambient haze with narcotized indie rock, while “I Love You” manages to arrange a beautiful flute alongside a defiantly throbbing bass track. “Hypnotized,” a reimagined fuzz-pop hymn, would become the group’s first entry in the UK Singles Charts. Recurring lays bare the essence of Spacemen 3’s persistent sound, rooted in both aural expansion and phenomenal songwriting. Includes download card and new insert with liner notes by Marc Masters.) 28.00

SUPERSTITION - Surging Throng Of Evil’s Might LP (20 buck spin - Despite the explosive re-emergence of death metal during the last ten or so years, few bands in the U.S. have sought to carry on the faithful legacy of early evil in American death in a manner that wasn’t a pale forgery. To that end, Superstition manifest from the ancient landscape of New Mexico with their debut Surging Throng Of Evil’s Might, heralding the return of perdition’s flame. Unpolished malevolence dripping with vile iniquity, occultic force and eerie demonic sentience is draped across the audial essence of the band’s debut, from the hellish introduction of “Death’s Fuming Passage” to the closing keys of “Grave Portals.” The very primordial elements of the abyssic fire are summoned in this ancient invocation. Ready to pierce the sacrificial lamb and open the gates in the U.S and beyond, Superstition presage the permanence of darkness in the material plane this summer on tour with Spectral Voice and Mortiferum. This album is only the beginning to the plague of the Superstition.) 18.00

THE JUST MEASURES - Flagellation LP (emotiona - Newly released from captivity, the acclaimed 1983 avant-punk masterpiece album featuring the dark and humorous genius of NARKI BRILLANS, C.D. GREYT, and YAKKO BANOVIC with special guest SARA FANCY. The lone JUST MEASURERS LP, originally an edition of 300 copies on the Its War Boys label, has rarely been seen in the wild during the past 3 and a half decades, (although was recently spotted on Discogs for $450!). The band consists of members from other essential under-the-radar 80s UK DIY luminaries, such as MILK FROM CHELTENHAM, THE HOMOSEXUALS, THE MURPHY FEDERATION, DIE TRIP COMPUTER DIE, L. VOAG, AMOS AND SARA, THE WORK... Playful and unsettling, the 16 tracks contained within are as vibrant and challenging as the day they were conceived. Who knows where The Just Measurers may have dragged us to had they followed up with further records? We never got to find out, as they had the good grace to split at the top of their game, leaving this essential document of their collective and vibrant minds. Emotional Response are thrilled to exhume this essential body of work. Don’t miss out this second time around!) 17.00

UNIFORM & THE BODY - Mental Wounds Not Healing LP (sacred bones - In Spring 2017, Uniform was asked to support fellow noisy, boundary-pushing duo The Body for a European tour. Having been longtime fans of the band, Uniform vocalist Michael Berdan and guitarist Ben Greenberg jumped at the opportunity. During the planning phase of the tour, Berdan and Lee Buford from The Body started corresponding regularly. Ultimately, Berdan asked Buford if he and The Body cofounder Chip King would be interested in making a collaborative record with Uniform. Buford enthusiastically assented, and the seed of Mental Wounds Not Healing was sown. The title of the record is a line stolen from the chorus of Ozzy Osbourne’s “Crazy Train.” Most of the titles are culled from horror literature and cinema, with specific nods to Shirley Jackson, Jack Ketchum, and Elem Klimov. Thematically, the songs have to do with feeling trapped in one’s own mind, projecting images over and over again of a future in shambles before it even gets a chance to happen. It is about hopelessness, anxiety, and depression so familiar that they seem like permanent fixtures of one’s psyche and identity.) 18.00

UT - Live At The Venue Nov. 24, 1981 LP (First time on vinyl. Part of the ongoing UT remaster/reissue series. Originally released in 1982 as a cassette only release. Features five tracks recorded in November 1981 at the Venue. Remastered from original recording by Dominique Brethes, these five tracks recorded in 1981 are the perfect accompaniment to the recent 12” reissues of S/T and Confidential (OUT0102) Released in November 2017). New artwork by the band, and a DL card come with this RSD 2018 edition.) 20.00

VIRUS - the agent that shapes the desert LP (duplicate - The Agent That Shapes The Desert is the third album from Norwegian avantgarde rock maestros Virus. Whereas its predecessor The Black Flux was a dense maelstrom that threatened to pull you under, The Agent... is dry, sharp and refined. It combines the dissonant guitar-washes of mastermind Czral's former band Ved Buens Ende and The Black Flux with the outlandish nature of the band's Carheart debut, while simultaneously moving in several new directions at once. At the same time, The Agent... is the band's most coherent, catchy and well-produced effort yet, and should appeal to music addicts across a vast spectrum of genres. Czral's trademark sideways riffs are perfectly underscored by the concise, efficient drumming of Einz and Bjeima's adventurous bass lines. The vocals, also courtesy of Czral, are stronger than ever, at times reminiscent of a choir of mad preachers, at others subtle and brooding, giving off an air of desperation.) 14.00

VIRUS - carheart LP (duplicate - The outlandish threesome's debut, originally released on cd by Jester Records in 2003, and later on vinyl by Duplicate in 2009, remains a fan favourite with its unheard of mixture of Czral's trademark dissonant riffs and alien vocals, Plenum's rollercoaster-gone-bad bass excursions and Einz' infectious grooves. All seasoned with a healthy dose of Monty Python'esque imagery and absurd darkness.) 14.00

WAYFARER - World's Blood LP (profund lore - World’s Blood is black metal of the American West. Wayfarer recorded the album in the winter of early 2018 at The Thousand Caves in New York under the watchful production of Colin Marston. A reflection of the Rocky Mountains and high plains of their native Colorado, this album tells a story that is uniquely American. Drawing influence as much from the dusty, dark Americana of the “Denver Sound” and the scores of epic westerns as they do the fury and melody of black metal, the band brings something original to the table with a sound that is at once aggressive and honest. The album paints a hallucinatory picture of the western frontier, and the haunting presence of the blood in the soils from a culture lost to time. First brought together in 2012, the members of the band aimed to create something original, in order to contribute back to the pantheon of the great and timeless music that shaped them as people. World’s Blood marks Wayfarer’s debut with Profound Lore Records, as they step into their own in the music underground with their strongest and most fully realized vision to date.) 22.00

V/A - Buried Country LP (mississiippi -  Compilation of Aboriginal Australian country music.  When we say country, it is a broader category than you might imagine.  This LP contains all kinds of sounds. The cosmic organ driven dream song of Black Allan Barker, the droney intensely political Glararrwuy Yunupingu,the straight up rocking Warumpi Band, the ballad singing of Maisie Kelly, the down home pop of Bobby McLeod and much much more.  A diverse cross section of Aboriginal "country".  All of this material has never been reissued on vinyl before. Political and powerful songs from communities throughout Australia.  This is a truly unique LP. Comes with extensive 36 PAGE liner notes and photos.  A co-release with our friends Flipping Yeah Records.  ) 18.00

V/A - Looking Back LP (cairo records - Compilation of Sam Cooke's great production work for his independent SAR label.  SAR Records was founded by Sam Cooke and JW Alexander in 1959 and closed in 1965, shortly after Sam passing away.. Nobody knows knows what "SAR" stood for.  Sam kept that secret and died with it.  (Maybe it was "Sam and Alex Records"?). They had one employee - Zelda Samuels. She wrote songs, handled all publishing and distribution and ran the office more or less solo.  Their office was just two desks and a piano in a tiny room.  SAR records was the kind of small family affair that Stax was in it's early years and Motown pretended to be. The label produced both Gospel and secular recordings, all with the odd distinction of sounding almost like Sam Cooke. SAR co-founder J.W. Alexander explains:the goals of the label as such -  “We wanted to give young black artists the benefit of as good a production as they could get with a major company. We used the top studios. We didn’t short-cut. We never thought of it as a training ground. We thought of it as an opportunity to contribute something back to the community.” This compilation features Gospel side by side with soul and R&B songs.  Classics by RH Harris, the Simms Twins, The Womack Brothers, The Valentinos, The Soul Stirrers and more.  Old school "tip on" cover and a classy black inner sleeve. One time limited pressing.  ) 18.00

V/A - GUITAR MOOD LP ( First ever repress of the most mystical collection of rare and moody, early 1960's guitar instrumentals from around the world! Features 16 tracks of pure instrumental delight and strangeness from TAKESHI TERAUCHI & HIS BLUE JEANS (Japan), LOS RELAMPAGOS (Spain), LES GUITARES (France), THE TRONICS (USA), LES FRANGINS (Belgium), THE JOKERS (Belgium), ELECTRIC JOHNNY & HIS SKYROCKETS (Holland), and TIMEBREAKERS (Holland & Java).) 18.00

V/A - Dutch Wave: A History Of Minimal Synth & Wave In The Netherlands DLP (onderstroom - First chapter on Onderstroom digging into the history of Dutch minimal synth & wave. Comes in a gatefold sleeve with metallic finishing and pressed on 180gr. vinyl. Who needs a big, expensive recording studio with all those fancy high-tech machines that only make your weary head spin when you can do it all by yourself at home in your (teenage) bedroom? Way back in the early eighties all you really needed was an idea, quite a bit of guts and some rudimentary equipment. You could basically do whatever you wanted. The means were limited, yet the sky was unbounded. It was the time of the cold war nuclear threat, social unrest and mass unemployment but at the same time it was an era of infinite possibilities. The future was just around the corner. A lot of music that was being produced sounded just like that: a brave new world of sound and rhythm. Music was simply put on cheap cassettes, easily duplicated and swiftly distributed in limited quantities into the big world outside. Tracks recorded in Amsterdam, Arnhem of Heiloo ended up in unimaginable destinations such as Brisbane or Buenos Aires.)25.00

YOB - Our Raw Heart DLP (relapse - From tragedy to triumph, YOB’s incredible 8th full-length recording was conceived amidst dire circumstances that nearly left frontman Mike Scheidt dead. Suffering from an extremely painful and potentially fatal intestinal disease, Scheidt miraculously recovered and reinvigorated the Oregon trio with a new sense of purpose for Our Raw Heart, an album informed by the will to survive. More exposed than ever both physically and emotionally, YOB bleed out seven riveting tracks of enormous volume and pensive, transcendental beauty across 75 minutes of ultimate doom. A brilliant musical progression in the YOB continuum, Our Raw Heart is the band at their most aggressive, impassioned and eclectic. The riffs are massive, the vocals captivating and the songwriting sublime. Existing in its own organic universe, Our Raw Heart is truly the band’s finest work to date and the apex achievement of what heavy music can accomplish.) 28.00


MAXIMUM ROCK N ROLL - #420 MAY 2018 MAG (A special tribute to Maximumrocknroll founder Tim Yohannan to mark the 20th anniversary of his passing, plus the organizers of Bay Area Girls Rock Camp, Bay Area Girls Rock Camp band Little Debbie & The Crusaders, "The Price of Legal Marijuana," Dark/Light from Portland, Death Ridge Boys from Portland, All Torn Up! from NYC, Kohti Tuhoa from Helsinki, Finland, Miss Destiny from Australia, YC-CY from Switzerland, director of the film "Careful Not To Cry," Erik Sutch, and a photo spread from Everything Is Not OK IV.) 5.00

MAXIMUM ROCK N ROLL -#422 • JULY 2018 MAG (Maximum Rocknroll #421 features Vancouver's FASHIONISM, CUNTROACHES from Berlin, MORAL PANIC from New York, APPRAISE fom Barcelona, Portland's MR. WRONG, Mexico's CRUZ DE NAVAJAS, Australia's EXEK, DURS COEURS from Ottawa, NO LOVE APPRAISE from North Carolina, Japanese legends FIRESTARTER, photos from DC's Damaged City festival, and DIY recording tips.) 5.00
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Messages: 852
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Re: BIS AUFS MESSER JUNE (No Trend, Spacemen 3, Uniform, Eri

Messagepar ADAGIO830 » 15 Juin 2018, 15:24

Another friday in June. Lots of great new records arrived as usual. A couple Neck Chop restocks, BELL WITCH - four phantoms DLP restock, CULT OF OCCULT - anti life DLP, PETER BRÖTZMANN & FRED LONBERG HOLM - ouroboros LP, CHRCH - Light Will Consume Us All LP restock, PLANNING FOR BURIAL - quietly LP, SOFT KILL - Savior LP restock, WILD ANIMALS - The Hoax LP, new MOURN - Sorpresa Familia LP, CARSON WELLS - no relic LP & REGIONAL JUSTICE CENTER LP on Adagio830, THE PETER BRÖTZMANN OCTET - Machine Gun LP and more


Thank you
 Robert & Klose & Norman


BACK TO BASICS - shaded eyes 7“ (secret mission - From Kyoto Japan comes one of the best and most powerful punk rock/power-pop bands going today. Featuring members from Japan’s now legendary and influential punk band FIRST ALERT, as well as Osaka’s LOUDER. Following a Japanese only album, this is their third 7” in 10 years and the first one ever to be released in the US. This is the band at the rawest and most punk, don’t miss this absolutely essential record. Limited to only 200 copies in the U.S., with the rest going overseas.) 7.00

COMA REGALIA / DREI AFFEN - split 7“ (A sensational screamo split with Spain and the U.S. uniting to create a stunning collection of songs. Spain's DREI AFFEN (members of OsoLuna) follow up their 12"EP with two more songs of punishing, screamy and crusty hardcore while the almighty COMA REGALIA offers up another three tracks of themed screamo very much in line with Funeral Diner and Orchid.) 6.00

KID CHROME - I've Had It 7“ (neck chop - “I’ve had it!” Truly, these are words to define an entire generation—a generation plagued by empty promises, emptier pockets, and even emptier skulls. Sometimes, you can’t help but feel overwhelmed by the palpable, burning desire to stomp your feet, gouge your fuckin’ eyes out and scream at the top of your lungs, “I’VE HAD IT!” Thankfully, for the benefit of all humanity, Seattle’s KID CHROME has sonically centralized these sentiments onto one three-track, seven-inch, zero-fucks-given vinyl record, sparing everyone’s eyes from a socket-full of fingers—and frankly, this clever fucker deserves a Nobel Peace Prize for that alone. The person responsible for Kid Chrome’s irresistible rock ‘n’ roll luster is none other than CHAD BUCKLEW of LYSOL, whose legacy as a solo-rock maestro trails back but a few years. And yet, the progress Chad has made since releasing his first hyper-lo-fi spasm of simplistic, drum machine-backed punk is nothing short of inspiring, as it would be for anyone capable of single-handedly writing snappy, bonafide songs of this caliber. Spurred by punchy mechanical drum-beats sure to get a crowd pogo-ing, Kid Chrome has re-recorded three flaming-hot takes on songs of past and present, toting a sharp, ultra-refined rock ‘n’ roll sound whose copious hooks, squeal-sensitive guitar licks, and rampant rodeo howls hearkens back to the great seminal proto-punk acts of yesteryear, complete with a contagious sense of enthusiasm set to enliven once-deadened senses. These are the type of songs you can expect to hear in “underground punk compilations” a few decades from now—so don’t you dare fuckin’ sleep on it now. These songs are somethin’ else.) 8.00

LYSOL - teenage trance 7“ (neck chop - A band that calls themselves “Lysol” ain’t got no business sounding this fuckin’ filthy, but if this new single is of any indication, things are only gonna get far, far more filthier from here. These Seattle-based garage rockers have been playing a dangerous, potentially litigious game of footsie with this identically-named multi-billion dollar corporation for years, even going as far as to censor their name to “L.I.” (Lysol Incognito) on two select releases in order to avert suspicion, and ideally, a cease and desist order—but if there’s one thing that should be made immediately clear by their continued deliverance of demented, psych-tinged jams under the Lysol name, it’s that this band is aiming to live fast and die even faster. They do not give. A. Fuuuuck. Lysol’s “‘Teenage Trance’ b/w ‘Chemical Reaction’” is yet another two-track, grease-sodden helping of rock ‘n’ roll slop served atop a seven-inch vinyl record, effortlessly incorporating elements of the group’s preceding efforts in Seattle’s Freak Vibes, with frantic slews of garage-like grooves propelled by a hardcore ferocity. Drumbeats restrained as the songs cautiously degenerate into psychedelic, noodle-prone moments of mid-paced obscurity, Lysol regularly dislodges themselves into a violent, bombastic concoction of causticized riffs and throat-rending roars, burdened by paranoia yet driven by sheer funk. The only thing that sucks about this record is that it’s only two tracks. But then again, that just might be all the human heart can take before it fuckin’ ruptures on itself.) 8.00

SHOCK - s/t 7“ (SHOCK from Bordeaux (France) is some pure essence of disgust and resentment. This first vinyl effort delivers 5 venomous hardcore tracks combining heavy parts, noisy riffs and high speed tempo. It's violent, raw and dirty, SHOCK is taking you down to the darkside of human nature. Expect some bitter and disillusioned lyrics (most of them in French) which grealty participates to create a very singular atmosphere. SHOCK features members of bands from the very prolific and inspired Bordeaux scene like Gasmask Terrör, Hondartzako Hondakinak, Fraude, Bombardement... Artwork by Mathieu Freak City who also sings in the band.) 5.00

STIFF LOVE - Trouble 7“ (neck chop - Nevermind the weird phrasing: Olympia’s Stiff Love is a fuckin’ beautiful instance punk rock incestuation. Like, if there was some kind of omniscient deity responsible for eating grapes, chuckin’ down lightning bolts, and ensuring that certain groups of people got into rooms together and started up bands, they definitely would’ve had to pull some strings to get the stars to align over Washington that fateful day. Sampling members from Lysol, Lowest Priority, Beta Boys, Very Mental and The Vitamens -- the first three of which are Washington-based, and all four phenomenal punk acts of their own distinct, varying flavors --, Stiff Love is the aftershock following years of rambunctious reverberations spawned by their past musical efforts. Liberating themselves from the arbitrary limitations of straight-forward punk, Stiff Love has channeled decades’ worth of vintage garage rock into a shameless, glittery stint of glam-like moxie, complete with a presentation worthy of posters plastered all over a bedroom wall. This four-piece has curated a sound that’s distinctly their own, emanating sheer confidence and gusto through heavy-handed, toe-tap-inducing rhythms, spring-loaded guitar licks reminiscent of surf-esque sensibilities, crunchy, scuzzed-out riffage imbued with a metallic potency, and a kickass lead capable of inciting a fuckin’ riot. “Trouble” could not have been a better follow-up to the group’s original debut cassette of 2017, honing their once-coarse tones to an edge fit for a smiley face-embossed switchblade. Stiff Love is the exact type of band you wish you had back when you were in middle school. Because, well, maybe then you wouldn’t have turned out to be such a mess.) 8.00


AN AUTUMN FOR CRIPPLED CHILDREN - Everything LP (Bleak paintings of the sky since 2009. The name of the band is an altered song title from UK band Ebony  Lake. First album 'Lost' released May 2010. Second album 'Everything' released September 2011.) 16.00

AN AUTUMN FOR CRIPPLED CHILDREN - Eternal LP (The Dutch trio An Autumn for Crippled Children are exemplars of blackgaze, the increasingly popular subgenre that takes inspiration primarily from black metal and shoegaze. There’s a damaged aspect to their music, with strings and synths breaking out haphazardly.) 16.00

BELL WITCH - four phantoms DLP (profound lore - back in stock - A doom metal triumph for the ages, now available on vinyl!  Seattle funeral / death doom act Bell Witch made a massive impact with their debut Longing, hailed as one of 2012’s finest doom metal albums. In the aftermath of its release, the duo (bass, drums and vocals) toured extensively throughout North America and Europe, generating even more notoriety within the scene.  Their much-anticipated new full-length Four Phantoms, recorded and engineered by the legendary and respected Billy Anderson (Agalloch, Pallbearer, Leviathan, Neurosis, Melvins), is Bell Witch’s most crushing work yet. The band takes their sound further into the realms of soul-destroying heaviness, with intricate song structures that display finely honed compositional skills.) 32.00

CARSON WELLS - no relic LP (adagio830 - 300 copies on black and 200 on Blue The third album from Scottish post-hardcore trio Carson Wells, out 15 June 2018 via Barely Regal Records and Black Lake Records in the UK, as well as European labels Adagio830 and Discos Finu, in Berlin and Madrid respectively. It will be available on 12” vinyl and as a digital download. All artwork was created by Andy Hemming. From their roots in mathy screamo, to their intricate and brooding sophomore LP, Tread A Northern Path, Carson Wells has evolved considerably during their near decade as a band. No Relic continues to push their music in new directions, as arguably their most surprising release to date. At 6-songs, certain authorities might consider it too short for the ‘long-play’ tag, yet, at thirty minutes it outruns their debut album, the nine track 'Wonderkid'. The sprawling compositions on 'No Relic' stand as a testament to the expanded horizons of the trio’s songwriting - switching effortlessly from blistering, scrappy sections that hark back to the band's early output, to expansive, hypnotic passages.  A joint effort between Adagio830, Barley Regal Records, Black Lake & Finu Discos) 13.00

CHRCH - Light Will Consume Us All LP (neurot - - Standing at a crossroads of light and dark, Sacramento’s doom quintet CHRCH wields epic, lengthy songs, massive low end and an occult vocal presence in a perfect blend of height and depth. They have been hard at work crafting their particular sound since late 2013. There is no image or campy gimmick to uphold, only the humble glorification of their fundamental musical elements. The band’s second full length, Light Will Consume Us All, carries with it the same quality of songwriting that caught the attention of fans worldwide on their first release, Unanswered Hymns (Battleground Records, 2015), a sprawling roller coaster of an album. Long form songs build and heedlessly dismantle as the band reaches sonic heights and beautiful plateaus. Severe, sometimes unrelenting, vocals contrast melodic singing; massive fuzz gives way to clean guitar parts. Building upon this unyielding foundation, this latest album continues the band’s narrative, traversing life’s epic journey of loss, reclamation and, ultimately, finding hope within the darkness.) 22.00

CULT OF OCCULT - anti life DLP (music fear - France’s most hated band is back with their fourth record,  »ANTI LIFE », and this time it is a concept album. CULT OF OCCULT delivers a sole 54 minutes track divided into four parts, exploring the darkest, creepiest and most extreme side of doom and sludge music. The four musicians were used to drown like a stone through the abyss but with this new album they have touched the bottom, maybe even deeper. This is a one way ticket to the ultimate extremities music can offer.) 20.00

FIRESTARTER - Livin' On The Heat LP (secret mission - "In Japan’s vast and varied punk rock world, few legends loom larger than FIRESTARTER. Having emerged from the debris of the mighty TEENGENERATE, Firestarter was launched with spectacular motivations, free to operate away from the constraints of scum-fi production and GaragePunk™ scuzz, the omnipresent trends of the preceding decade. The band’s creative nucleus, warrior brothers FIFI and FINK, joined (again) by bassist SAMMY and drummer JIMBO (of those wild TITANS), moved far beyond break-neck abandon, crafting masterful punk and power-pop, epic in scope and sound, devout to the absolute truest spirit of Rock’N’Roll. To celebrate the bands 20th anniversary Secret Mission Records has FINALLY unleashed both of Firestarter’s classic albums for US consumption, each remastered by JEFF BURKE and MARK RYAN (of THE MARKED MEN) and completely repackaged. Firestarter’s sophomore stunner from 2003, processes a grandeur that somehow surpasses their debut. The album is more daring, with the band taking more chances, resulting in a brilliant and inimitable hybrid of punk and power-pop. Beginning with a sweeping call to arms in “The Beat Goes On”, Livin’ On The Heat comes across as the band’s true statement of purpose, their love letter to Rock’n’Roll itself."—Mitch Cardwell. Edition of 300 copies.) 20.00

THE GET UP KIDS - kicker LP (polyvinylö - On the strength of five records (including seminal debut Four Minute Mile and bona fide classic Something to Write Home About), THE GET UP KIDS have toured the world over and sold more than a million albums. The Midwestern five-piece defined a genre and inspired a generation of musicians in their wake. With Kicker, the band triumphantly returns to form after a brief hiatus with four new songs, an extensive line-up of shows, and plans to release a much anticipated full-length album next year. LP pressed on 180-gram pink vinyl. Both formats include a download. ) 16.00

LES MAUVAIS JOURS - s/t LP (OK, I have to admit that I’ve listened to Sport’s Colors LP an unhealthy number of times since it came out, now more than five years ago. It’s not that I listen to that indie-influenced, melodic punk-rock all the time, actually quite the contrary. It’s just that some records are so catchy that they instantly make it into your summer jam playlist. Well, it’s still snowing outside and it’s too early to get hooked on such a poppy record with a melted ice cream on the front cover. Still, it’s a great stuff from another French band in the veins of Sport. There’s a great vibe in all these ten songs and you can feel it that the band is just as passionate as any other energetic hardcore punk act you’d love. If you need more proof of that, I should tell you that this record was self-released by the guys and that Les Mauvais Jours (the name translates as the bad days) feature members of such intense Strasbourg hardcore bands such as The Boring, Another Five Minutes, and More Dangerous Than a Thousand Rioters. I have a soft spot for French emo and punk bands, even if they sing in English. And, although Les Mauvais Jours is definitely not what I’m usually looking for, this is an excellent record if you want to indulge in the sugary flavours of catchy, Cap’n Jazz influenced tunes. The musicianship is topnotch, the lyrics are okay. Unless it’s too sweetish for your taste, it’s a nice record that you would have fun with. I can’t wait for sunny days and loads of vegan ice cream. (DIY Conspiracy)) 12.00

LINGUA IGNOTA - All Bitches Die LP (profound lore - Lingua Ignota, the solo project of multidisciplinary artist Kristin Hayter, takes a radical, unflinching approach to themes of violence and vengeance in ways that are moving, brutal, and harrowing. Her music is intentionally situated at specific and strange intersections, incorporating elements of power electronics, death industrial, and black metal alongside baroque classical, spiritual minimalism and folk. Relentless intensity and soaring dramatic arcs are informed by Hayter’s background in classical music, and the major sonic locus of the project is her voice, a dynamic entity that rushes from unhinged screaming to lilting soprano to angular belting with an artistry and ferocity that has drawn comparisons to Diamanda Galas. She is notorious for confrontational live performances that can leave an audience breathless or in tears. Hayter began classical training at the age of ten with intent to pursue an operatic conservatory track. Instead she developed an interdisciplinary fine arts practice at The School of the Art Institute of Chicago. She continued with graduate work at Brown University, producing a controversial thesis titled Burn Everything Trust No One Kill Yourself. Lingua Ignota was born out of this thesis which re-contextualized misogynist content as biblically vitriolic anthems for survivors of domestic violence and sexual assault. A survivor herself, Hayter seeks to give a singularly aggressive voice to the unheard, silenced, and dismissed. Lingua Ignota self-released two albums in 2017 that garnered attention and accolades from Noisey / VICE, The Village Voice, The Quietus, Bandcamp, and many others. She tours and collaborates chiefly with metal-transgressing luminaries The Body.) 22.00

METTE RASMUSSEN / TASHI DORJI - s/t LP (feeeding tube - "METTE RASMUSSEN is a Danish saxophonist, based in Norway, who has been recording with some of our favorite players (Chris Corsano, Alan Silva, Mats Gustafsson, Ace Farren Ford, etc.) She has also formed this duo with Asheville-based guitarist, TASHI DORJI. The duo material for this LP was recorded in Montreal, right around the same time Mette and Tashi recorded a trio set for Trost (with the addition of drummer Tyler Damon). And it's all great stuff. Mette's playing has a raw tonal approach that makes one think of Eric Dolphy at his harshest. Her lines evince much of the same nimbleness as well. The effect is not unlike being hit in the face by a bunch of snakes with wings. Naturally, Tashi is playing electric in order to make himself heard, and the clots of sound he manages to coax out of his amp are worthy of comparison with such form-erupters as Keith Rowe. On the first side, there's a real physicality to the blocks Tashi creates, as well as to the manner which Mette's reed attacks them. It's an incredible sound—brutal and communicative in equal measures. But as much as this may imply a musical surface akin to that of Borbetomagus, there's a lot more open space here. Especially on the second side, the music is paced to give itself over (now and then) to crenellations that allows in as much light as they emit. This record is a supremely human effort and hopefully the harbinger of much more to come."—Byron Coley, 2018. Edition of 250.) 27.00

MOURN - Sorpresa Familia LP (captured tracks - Catalonian quartet MOURN stormed onto the scene in 2014 with their self-titled debut - a work of angular indie rock and pointed lyricism delivered with confidence well beyond their teenage years. Two years later, they returned with the equally superb Ha, Ha, He. and proved themselves worthy of the early praise, squashing any remaining questions of fleeting hype. But with seemingly endless opportunities in front of them, MOURN found themselves caught in a legal dispute with their former Spanish label, rendering them unable to tour or effectively support their sophomore effort. Facing the sort of obstacles that might, understandably, derail a fledgling band’s career, MOURN instead forged ahead, and in typical fashion managed to harness their swirling anger, frustration, and passion from the past 2 years into new music. Now, only just recently freed from their legal binds, MOURN is back in full force to share their 3rd full-length album, Sorpresa Familia.) 20.00

OSTAVKA - s/t LP (destructure - Ostavka is a quite young band from Brittany, they had a demo and a first 7" released last year. Ostavka members have previously been in several punk/crust bands and are now exploring the coldest and darkest side of punk with lots of depressive and melancholic melodies. Beautiful guitar picking parts, chorus sound, tribal drums and incredible female vocals makes this first LP a perfect cold / post / punk record full of anthems.) 13.00

PETER BRÖTZMANN & FRED LONBERG HOLM - ouroboros LP (monofous - The long-awaited follow-up to 2008's Brotzmann/Lonberg-Holm duo album The Brain of the Dog in Section (Atavistic).... in fact Ourorboros was recorded during a 2011 European tour in support of said album. Although these recordings date from 7 years ago, they find both Brotzmann & Lonberg-Holm in top form. "The Figure Eight" is the highlight of the record featuring a rare turn of Brotzmann on Bass Clarinet, which isn't often heard these days. The duo recording also may be of particular interest in comparison with Fred Lonberg-Holm & Ken Vandermark's 2015 duo LP Resistance (Bocian). Lonberg-Holm plays counterpoint to two very strong and individual players in surprising and unique ways on both albums.) 20.00

THE PETER BRÖTZMANN OCTET - Machine Gun LP (trost - 2018 marks the 50th anniversary of Machine Gun's release, but it's still just as shocking and powerful a record as ever, a stunning and bewildering listen from beginning to end. Peter Brotzmann's second release as a leader, this was the album that firmly established his voice as a performer and an improviser, defined what would become the FMP aesthetic, and truly distinguished European free-music from its American counterpart. Machine Gun opens with a deafening blast of pure sound, a pummeling broadside of Brotzmann, Evan Parker, and Willem Breuker's saxophones. Even today, so many years after this was captured to tape, it's still startling, and still brings to question any ideas you might have about what could be considered "jazz." Yes, American fire music players had broken countless barriers earlier in the 1960s, but nobody had ever really sounded like this before. Noise artists for generations to come would give everything to be half this abrasive.  Machine Gun is not all volume, though: there are passages of silence and chilling hints of space between barrages of instrumental fury. There are even hummable themes, however brief they may be. One of two drummers in the group, Han Bennink loudly declares his intent to push free percussion in a direction unique from his American counterparts, Murray, Graves, and Ali. The octet is rounded out by several other players who would form the foundation of the European free avant-garde: Fred Van Hove, Peter Kowald, Sven Ake-Johansson, and Buschi Niebergall. Originally released on Brotzmann's own Brö imprint, Cien Fuegos has remastered the original album and lovingly presented it here on this limited, 180 gram reissue. If there is one Peter Brotzmann record to own, this is it; if there is one European free jazz record to own, this it.) 25.00

PLANNING FOR BURIAL - quietly LP (flenser - After the release of his debut album, Leaving (2010), Planning for Burial’s Thom Wasluck wrote and recorded a series of EPs that have become collectively known as Quietly. It was a tumultuous time in Wasluck’s life, and the songs he composed reflect the intense feelings of longing and jealousy that he was experiencing. As the title suggests, these tracks are more restrained in approach than the work which preceded them. They are also set apart from much of Wasluck’s other output by their recording process, which was largely done live with few or no overdubs in order to properly capture every emotion in its rawest state. For almost a decade, Wilkes-Barre, Pennsylvania-based musician Thom Wasluck has been releasing his signature gloomy dirges under the name Planning for Burial at a nearly relentless pace. He now has three full-length albums (most notably 2017’s monumental Below the House) under his belt as well as countless EPs and splits. The Quietly sessions took place between 2011 and 2012 and will be available for the first time on vinyl from The Flenser. This new version includes a song that was previously only issued on a floppy disc as well as an unreleased track from the same era. This collection was remastered specifically for this vinyl release by Nicholas Wilbur (Mount Eerie) at The Unknown.) 18.00

REGIONAL JUSTICE CENTER - World Of Inconvenience LP (adagio830 - After releasing their demo early 2017, REGIONAL JUSTICE CENTER quietly worked on their song writing craft, no teasers, no promo tapes, just a constant display of force through live performance where they refined until their was no fat left to trim. WORLD OF INCONVENIENCE finds its home in ever shifting time signatures, punishing punk beats and constantly off kilter breaks. This record expands RJC from the one man band demo and adds players from the live band as well a brief guest appearance by Mark Palm(Go It Alone, Supercrush, Black Breath). Drawing from such sources as CROSSED OUT all the way to the THE BEATLES the record never leaves you anticipating what will happen next. Recorded in Western Massachusetts with Will Killingsworth and housed in art by Mark McCoy, WORLD OF INCONVENIENCE makes for a complete package of hardcore brilliance. FFO : Infest, Sex Prisoner, Crossed Out) 13.00

SOFT KILL - Savior LP (profound lore - Portland, Oregon’s Soft Kill ripped through 2016 with Choke, the follow up to 2015’s Heresy. It became the band’s most acclaimed album to date and saw them on a constant touring cycle through North America and Europe. The band now returns with the triumphant follow-up Savior, released by Profound Lore Records, bringing a unique blend of gloom laced with pop charm and flawless songwriting that transcends the post-punk genre. The writing for this album was influenced by tragic events in frontman Tobias Grave’s life, including songs about losing his son, his battle with drug addiction, and the empty space suspended between mourning and celebration, life and death. Recorded and mixed in Kingsize Sudios in Los Angeles and produced by Benjamin Greenberg (Uniform, The Men, Algiers), this band has matured into a powerhouse, effortlessly combining genres, always with Grave’s powerful, raw emotional storytelling. From the pop perfection of “Trying Not to Die” to the swelling and crushing guitars on “Hard Candy” to the unrelenting dirge of “Bunny Room,” Savior is a creative tour de force.) 22.00

VIVE LA VOID - Vive La Void LP (sacred bones - Vive la Void is the new solo project of Sanae Yamada, co-founder and keyboard player of Moon Duo. Yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in Moon Duo's substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada’s understated but captivating vocal melodies and her striking lyrics.) 18.00

WILD ANIMALS - The Hoax LP (Wild Animals forms in 2014, clearly influenced by ’90 punk and indie music and its characteristic guitar fuzz, melodic vocals and energetic rhythms. That same year, Jamie R. Green (guitar and vocals), Paula Sánchez-Lafuente (drums and vocals) and Fon Álvarez (bass), decide to start the band after moving to Madrid from their hometowns.) 12.00


SERPENT - Demo TAPE (Throughout a few sporadic tests during the year 2016, Eric and Beni compose a demo of 7 post-hardcore songs that are very self-taught and direct. In mid-2017, they join  Fran and Marc to make a group of truth and take it to the live one.) 5.00


REGIONAL JUSTICE CENTER - World Of Inconvenience T-shirt (adagio830 - Black Gildan Shirt with grey/white front print in S / M / L / XL /XXL) 14.00


THE WIRE - #413 July 2018 MAG (Inside this issue: Cairo's New Wave: A fresh contingent of underground musicians and artists forge escape routes from the harsh realities of life in the Egyptian capital. By Maha ElNabawi. Mongolian Rock: Though widely accepted as an antique artform in the West, in Mongolia rock is a vital bulwark against the forces of oppression. By Josh Feola. Alan Tomlinson: Since the early 1970s the UK trombonist and improvisor has balanced unorthodox strategies and playful humour with a serious commitment to his art. By Mike Barnes.
Bites. Red Brut: Dutch tape mangler Marijn Verbiesen makes a virtue of limitations. By Daniel Neofetou. Tasos Stamou: The electroacoustic composer reconfigures the sounds of the Mediterranean. By Abi Blis. Okzharp & Manthe Ribane: The producer-vocalist duo are diamonds in the rough. By Tristan Bat. Yasuaki Shimizu: The Japanese saxophonist’s got algorithm. By James Hadfield Zimoun: The Swiss sound artist boxes clever with cardboard and motors. By Emily Bick The Inner Sleeve: Spencer Clark on Alien Nation. Epiphanies: US poet Nathaniel Mackey gives Seymour Wrightlicense to dream On Screen: New films and DVDs: Susanna Nicchiarelli’s Nico, 1988; Tommaso Cassinis’s Yenkyi Taxi Print Run: New music books: Can, record shops, altered states, Keith Rowe, and more) 8.00
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Re: BIS AUFS MESSER JUNE (No Trend, Spacemen 3, Uniform, Eri

Messagepar ADAGIO830 » 23 Juin 2018, 13:35

hi, one day to late - but here is our weekly newsletter with great new stuff from Fantôme Phonographique, ERIC'S TRIP re issues via sub pop, the ADDAURA - Burning For The Ancient LP re issue on vendetta, the great KALI MALONE - Cast of Mind LP, KAMASI WASHINGTON - Heaven And Earth 5x LP BOX and also the 3xCD … etc etc. Lots of restocks as well

Also check out that beautiful new The Rememberables video feat. footage from their past euro tour. They start the US tour now with Blacksage


Thank you
 Robert & Klose & Norman


HYPECRITE - Mayhem Demo 7" (never back down - Hypocrite is a new K-town band with members from Stop And Think (Boston), Coke Bust, Government Warning, The Dedication, Sex Positions etc.  Two Danes and two Americans residing in Copenhagen playing uncompromising hard punk with a filthy raw sound - the way you want your demo to be.  Bands like Boston Strangler, 86 Mentality, Alone In A Crowd, Negative Approach and Iron Boots come to mind.) 6.00


ADDAURA - Burning For The Ancient LP (vendetta - Originally released by Kreation Records in 2012. Mastered by Mell Dettmer. New artwork and new cutting, better sound. Black vinyl only, limited to 300 copies! "When your whole being is consumed by a task/goal at hand, focus is of greatest eminence. Everything you do, whether it be eating, thinking, or breathing, are sacrificed and dedicated to this destination at hand. To the surrounding world such allegiances can be awe-inspiring. "Burning for the Ancient" relates in a similar fashion to such pursuing doctrines. When a swimmer is striving to smash a time or even the world record for long distance, audiences can't help in noticing the skill level and grace required for such a feat. Although everyone knows the swimmer is going to continue with the same strokes and underwater kicks, raising and lowering their head during each breath, redundancy does not deter from the enjoyment. Addaura is likened to such spectacles.“) 14.00

ALEISTER CROWLEY - Original Wax Recordings LP (Fantôme Phonographique present a reissue of the only known recordings from the infamous occultist, mystic, magician, poet, novelist, sexual deviant, and all-around misfit, Aleister Crowley. Recorded onto wax cylinder in the early 1910s, and later transferred to 78 RPM discs. The tracks include Crowley's recitation of the first two Enochian Keys, original poetry, incantations, and songs. An absolutely essential piece of occult history. This collection was originally compiled and released on LP in 1986.) 20.00

ANTONIN ARTAUD - Pur En Finir Avec Le Jugement De Dieu LP (Fantôme Phonographique present a reissue of Pur En Finir Avec Le Jugement De Dieu by Antonin Artaud. Antonin Artaud was a French poet, dramatist, and director and one of the most important figures in 20th century European theater, and especially the avant-garde. His piece "Pour En Finir Avec Le Jugement De Dieu" was recorded in 1947 to be aired on French radio. But the project was shelved not only for its scatological, anti-American, anti-religious content, but also for its avant-garde sound, with screams, cries, grunts, glossolalia, and general cacophony, all of which the radio thought would be too shocking for the listeners of post-WWII France. Now regarded as one of his most brilliant works, the piece is finally available again on vinyl courtesy of Fantôme Phonographique. Features the voice actors Maria Casarès, Roger Blin, and Paule Thévenin.) 20.00

ERIC'S TRIP - Purple Blue LP (col. Ed.) (sub pop - Purple Blue is Eric’s Trip’s third album, and it was originally released in 1996. It has been out of print on vinyl since its original, 1996 pressing.) 19.00

ERIC'S TRIP - Forever Again LP (sup pop - Eric’s Trip was a Canadian indie rock band hailing from Moncton, New Brunswick. The band formed in 1990 when musicians Rick White and Christopher Thompson of The Forest joined Julie Doiron and Ed Vaughan (who was later replaced by Mark Gaudet of Purple Knight). White described their sound as “sappy melodic pop music on top of thick distortion.” They were the first Canadian band to be signed to Sub Pop Records, and the band broke up in 1996 (they subsequently reunited in 2001, and again in August 2006.) Forever Again is the band’s second full-length, and their follow-up to their Sub Pop debut, 1993’s Love Tara. It was recorded in 1994 at guitarist Rick White’s home studio, Stereo Mountain. It has been out of print on vinyl since its original, 1994 pressing.) 19.00

GNAW THEIR TONGUES - genocidal majesty LP (The new album, ‘Genocidal Majesty’, delivers exactly what the titles promises: it’s epically brutal, filthy and oppressive, but with such an over-arching grandeur, you cannot but feel compelled to descend together with Gnaw Their Tongues into sheer madness. This is an album that grabs your attention by force, and will not let you go. Another tour the force of this remarkable conjurer of darkness.) 17.00

JACQUES THOLLOT - More Intra Musique LP (Produced in collaboration with the legendary Jac Berrocal's label d'Avantage, More Intra Musique is the second LP in Alga Marghen's series dedicated to previously unreleased recording by the drummer and experimentalist Jacques Thollot. While the furious Intra Musique free jazz first LP (ALGA 043LP, 2017) was centered on a live recording with Michel Portal, Eddie Gaumont, and Mimi Lorenzini at the Faculty of Law in Paris, on an evening in 1969, it is an unexpected Jacques Thollot that you encounter on this second LP, vivid and blazing even more than you might have already known. Jacques Thollot was a major force in the French free jazz scene, collaborating with artists at the level of Don Cherry, Steve Lacy, Sonny Sharrock, Joachim Kühn as well as with French pioneers Jef Gilson and Barney Wilen. Starting from 1971 he released Quand Le Son Devient Aigu, Jeter La Giraffe A La Mer or Watch Devil Go on Futura and Palm Records, or some of the most relevant and revolutionary sonic masterpieces in France. More Intra Musique is free improvisations of course, but also synthetic jitters, musique concrete, and loop experiments, sketched pop songs, minimalist trances with African accents, or simply the promiscuity of a lullaby or the voice of a child posed like a bird in a Norman garden. These long-lost visionary recordings featuring Eddie Gaumont on prepared piano and Jacques Thollot on drums, piano, prepared piano, synth, and tapes are an absolute revelation which make you rethink everything you know about French free improvisation. Tape manipulation created as a potential background for a live set... Bursting rehearsal with Eddie Gaumont... Is the piano well prepared? Besides the stingy mention Intra Musique sticked on the reel, nothing is known of this recording. Edition of 350 copies.) 25.00

LUC FERRARI - Atelier de Libération de la Musique LP (**Limited Edition, individually numbered LP in an edition of 500** Often, when looking back over the history if experimental music in France, easy divisions can be seen to emerge. There are the pioneers of improvised music, usually associated with jazz, and there are the pioneers of electronic music, including tape, synthesis, and electroacoustic practice. This separation is convenient and serves historians well, providing simple answers for the what and why of what occurred, but, in most cases, fails to represent the true spirit of any of this music, or what actually transpired. This became apparent on Alga Marghen’s release Intra Musique, by French free jazz drummer Jacques Thollot, whose electronic experiments flirted around the edges of his peers in other fields, and is now vastly expanded by Atelier de Libération de la Musique, a series of wild recordings made by an ensemble led by Luc Ferrari in June 1975, never before released. Of all he names connected with electronic and electroacoustic music, few trump Luc Ferrari. In 1958 he co-founded the Groupe de Recherches Musicales with Pierre Schaeffer and François-Bernard Mâche, forever associated with that studio, among the most revolutionary and important of all. What often gets overlooked, is that, before coming to electronic music, Ferrari was a pianist of radical and freely atonal temperaments - studying under Alfred Cortot, Olivier Messiaen, and Arthur Honegger, before shifting his focus after meeting Edgard Varèse. While his radicalism never wavered, where his music was understood to reside and how it operated, was often allowed to.) 27.00

KALI MALONE - Cast of Mind LP (hollow ground - Kali Malone’s sophomore LP “Cast of Mind” investigates the use of harmony as a force of psychological impact through the exclusive use of the Buchla 200 synthesizer in combination with acoustic woodwind and brass instruments.  The record begins as a cascade of battle calls from the wind instruments that shift ephemerally between triumphant and anguished howls upon each exhale. While the other pieces pull from the septimal harmonic framework of the title track, they extract a more confined palate to depict their sonic identities indicated by the song titles. “Bondage To Formula” weaves synthesis, trombone and bass clarinet in a delicate pattern, conjuring an ambiguous assimilation of the acoustic and synthetic. Dominated by columns of sawtooth waveforms, “Arched In Hysteria” unravels as a sharp and sober harmony perched on the border of violence, ringing in paranoia amongst a foundation of low beating oscillators. The record concludes in the rapture of “Empty The Belief”, swollen with undulating bassoon striving to intonate to the towering stability of machine-generated harmony. Using justly tuned synthetic and acoustic instrumentation, Cast of Mind’s rich harmonic textures emit a distinct emotive hue serving to generate a static and captivating depth of focus. ) 25.00

KAMASI WASHINGTON - Heaven And Earth 5x LP BOX (young turks - Kamasi Washington’s sophomore album Heaven And Earth not only fulfills its overarching ambition, but illustrates the dialectic between seen and unseen, real and imagined, citizen and culture, self and self, as well as self and other, and does so through the lens of a mature but never jaded revolutionary consciousness. The artist’s own words best convey the inspiration behind this monolith of an album “The world that my mind lives in, lives in my mind. This idea inspired me to make this album Heaven And Earth. The reality we experience is a mere creation of our consciousness, but our consciousness creates this reality based on those very same experiences. We are simultaneously the creators of our personal universe and creations of our personal universe. The Earth side of this album represents the world as I see it outwardly, the world that I am a part of. The Heaven side of this album represents the world as I see it inwardly, the world that is a part of me. Who I am and the choices I make lie somewhere in between.”) 49.00

MOLLY - Stay Above LP (never back down - This is second full length by Copenhagen 'alt punk' band Molly.  14 tracks of uncompromising late 80's inspired alt punk that you just don't hear anymore. Maybe because no one can shred and yearn like Bob Mould, or maybe because it just went out of style. Whatever the reasons are this is the sound that has been missing in the 21st century. Big words. Listen for yourself. "Molly specialize in power-pop of the Hüsker Dü and Dinosaur Jr variety: dark, bittersweet and pensive, but ultimately, totally ripping. Based in Copenhagen, Denmark, the band's latest LP is Stay Above, a collection of 14 tracks that stay in the redline with riffs while never losing their melodic edge. The first single is "All About," a sugary sweet number that could make you bop around or cry softly to yourself, depending on your mood." - CLRVYNT FFO: Hüsker Dü, Dinosaur Jr, Nirvana, Jawbreaker, Minutemen, SST.) 16.00

BRÖTZMANN, PETER / JUHANI AALTONEN / PETER KOWALD / EDWARD VESALA - Hot Lotta DLP (svart - Limited, exclusive, extended reissue of Hot Lotta, one of the rarest items in Peter Brötzmann’s oeuvre. Hot Lotta was a special cultural event, the meeting of the brightest free jazz talent from Germany and Finland. Peter Brötzmann and Peter Kowald were joined by Edward Vesala and Juhani Aaltonen for the studio session that resulted in the album but also toured Finland and recorded a radio session. That radio session has now been unearthed and is presented as an added bonus in this official reissue.) 27.00

RODRIGO AMADO / JOE MCPHEE / KENT KESSLER / CHRIS CORSANO - A History Of Nothing LP (Great dedicated music by 4 strong individual players, brought together by Rodrigo Amado – intense communication with room for outbreaking solo-parts but always held together through a vision of playing together, all the time exiting and interwoven with beautiful melodies! Rodrigo Amado: tenor saxophone Joe Mcphee: pocket trumpet, soprano saxophone Kent Kessler: double bass, Chris Corsano: drums) 20.00

SLAPSHOT - Make America Hate Again LP (bridge 9 - Boston, MA, hardcore legends Slapshot return with their latest album "Make America Hate Again." An institution in hardcore punk since 1985, Slapshot is still writing music as urgent and relevant as ever. Thirty-plus years later, Choke and company are still pissed off and evoke the same aggression that gave Slapshot their notorious reputation they have today. LP includes digital dowload.) 16.00

TATU RÖNKKÖ - Spheres LP (sonic pieces - Spheres is not only Tatu Rönkkö´s debut album, but it´s also one of the most unusual entries in the Sonic Pieces catalogue so far. As the de-facto reason for Efterklang starting off their new band Liima, Tatu is one of the most diverse and intriguing percussionists working today. Rönkkö appeared out of nowhere sometime around 2010, performing intense improvised concerts in home-kitchens around Berlin and abroad, using the room and everything in it as his instrument. On Spheres, which includes almost only self-made instruments from everyday objects, he´s taken this idea to the next level. The kitchen and the improvisations around it have been concentrated down to 6 standalone pieces of music, produced in incredible detail. The sound hovers in the darklands between tribal experimentations, 90ies jungle ambient textures and electro-acoustic endeavours. Pieces like Then remind of a more focused Aphex Twin performing with Konono No1 in the Finnish woods. While the title track Spheres even links the sound all the way back to early Photek with it´s reduced cinematic textures and explosive repetitive beats. All of this says rather little about the actual album as it feels completely its own. Especially the incredible centrepiece Tekoäly featuring Islaja on vocals sounds like nothing else. Rönkkö is a true visionist who manages to balance his mass of sound sources in an expert fashion. Spheres is truly an otherwordly listen.) 27.00

TOM DISSEVELT & DICK RAAYMAKERS - Electronic Music LP (Tom Dissevelt and Dick Raaymakers (aka Kid Baltan) were both Dutch composers and electronic music pioneers. Both musicians began their studies at Royal Conservatory of The Hague on trombone and piano respectively, and later discovered the music of Karlheinz Stockhausen and Anton Webern. In the mid-'50s Raaymakers began working at the Philips NatLab (the Dutch research division of the Philips company). Dissevelt was recruited by the NatLab soon after, and this is where they met, working on Philips stereo equipment and electronics, and eventually composing electronic music and musique concrète pieces together. Their first recordings in 1959 together, 'The Fascinating World Of Electronic Music', set the tone of experimental synthesizer space odysseys that would be perfected with their 1962 LP, 'Electronic Music', released as The Electrosoniks. Cited by David Bowie as one of his favorite albums of all-time, 'Electronic Music' is a forward thinking collection of bubbling synths and space-age atmospherics that is well ahead of its time. Since Dissevelt and Kid Baltan were employed by a research lab to compose and record electronic music, one might assume that the music would be soulless and restrained, but the reality is quite the opposite this is joyous and haunting and soulful music created by two undercelebrated Dutch pioneers who are finally getting the credit they deserve. Essential pioneering electronic music brought back to life by Fantôme Phonographique.) 20.00


MUSCLE AND MARROW - love TAPE (breathe - While writing their second album, Love, Muscle and Marrow’s Kira Clark lost a close family member. This set the thematic tone that pervades Love. Death and the gradual decline of the family, but also the nature of love in general—how to love better, how to love more or at all, what happens when someone else loves you, and the trap that love ultimately becomes, but also the freedom it affords.  Formed in 2013 by Kira Clark (voice, guitar) and Keith McGraw (drums, sounds), Muscle and Marrow quickly crafted a style that is their own. A sound that is delicate, operatic and extremely heavy, yet difficult to categorize. They have frequently played with heavier acts such as The Body, Author and Punisher, and True Widow, but Muscle and Marrow is not a traditional metal band, if a metal band at all. They are something unique and dark, yet undeniably heavy and familiar. Muscle and Marrow’s debut album The Human Cry was released in June, 2014 by Belief Mower Records. Its songs were arresting and hysterical, but also distinctly feminine. Pitchfork called it “gorgeous,” with Clark’s voice alternating between plaintive wails and guttural moans that soared over waves of pulsing drums and stifling guitars. Muscle and Marrow toured across the United States and in October, 2015, the duo posted up at Machines with Magnets (The Body, Lightning Bolt, Marissa Nadler, Deer Tick) in Providence, RI to record what was to become their sophomore album, Love. The band took their time in the studio and laid down seven tracks that delve further into deep electronic territories, but still incorporate the familiar droning guitars, ethereal vocals and tribal drums throughout.  Along with themes of death and loss, Love touches on feminism and female archetypes, a topic that Kira Clark is very interested in. “It’s cathartic and alluring for me to delve into feminine madness because, of course, that character is inside me somewhere all of the time and to give her permission to surface in my art is powerful,” comments Clark. This new collection of songs are their most powerful and fragile yet, bringing the band to the forefront of dark experimental music.) 6.00
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Re: BIS AUFS MESSER JUNE (No Trend, Spacemen 3, Uniform, Eri

Messagepar ADAGIO830 » 29 Juin 2018, 13:03

hi. welcome to another one this month. Lots of new amazing records like new stuff from Sheep Chase out of Norway incl. stuff from Dark Times etc, the beautiful re issue of the HAPPY RHODES - Ectotrophia DLP via Numero, YOB restock, JOHN COLTRANE - Both Directions At Once - The Lost Album LP & ltd DLP dlx version, new SPINE - Faith LP, ALEXANDER HEIR - WARRR2k∞ // Work 2014-2017 BOOK and a bunch of Sacred Bones restocks like the BODY / UNIFROM collab, the re issue of the IAN WILLIAM CRAIG - A Turn of Breath DLP, JEAN JACQUES PIERRE - Prélude Au Sommeil LP

Also Vendetta released the ANICON - entropy mantra LP & the SPECTRAL WOUND LP and repressed WODE´s debut LP.

check out also Regional Justice Centers interview on band camp daily ... interview/

Make sure to grab on the of LPs or ltd shirts.




Thank you
 Robert & Klose & Norman


DARK TIMES - Dirt 7“ (sheep chase - New single from Dark Times! 'Dirt' is the first to be heard from the trio since their 2014 debut album 'Give', which they received great reviews and a nomination to Spellemannprisen (the Norwegian Grammy) for. Bringing their best qualities to a new level, 'Dirt' is Dark Times' catchiness all the way. Noisy, gnarly and intense - a track you're going to put on repeat. While 'Dirt' is the A-side, the B-side will contain of two exclusive covers of The Melvins and Wipers.) 6.00

SECTS TAPE - mobile home 7“ (spastic fantastic - After the debut album on SFR, it's time for the next spiritual experience in the form of four new 7 inch garage-surf-punk-psalms. SECTS TAPE from Belgium continue where they left off and diligently proselytize more sheep for the only true religion on this embarrassing planet. Somewhere between garage, beat, surf and hardcore punk, the magic of this band unfolds their mawkish scent. It smells like HENRY FIAT'S OPEN SORE, CRAMPS, AGENT ORANGE and California. But that also smells of sweaty bodies under black catsuits and pink hoods. Have fun with prayer!) 5.00


A PLACE TO BURY STRANGERS - A Place To Bury Strangers LP (important - A Place To Bury Strangers have often been called "the loudest band in New York". This may very well be the case, but unlike much so-called "loud" rock and roll that''s out there, APTBS is not loud simply for the sake of it. The sonically overdriven sound they''ve accomplished is no clumsy accident, but a carefully cultivated and well-maintained entity all its own, fostered by an unbridled passion that''s clearly evident in every live show they play and each recording they make. A Place To Bury Strangers does not so much play songs as allow them to pour out. They are songs about longing, heartbreak and confusion played extremely well and at a passionately loud volume. While there are obvious reference points: Pornography-era Cure, early Ride, My Bloody Valentine, and pre-1990s Jesus and Mary Chain, the sound is all their own, in part due to singer/guitarist Oliver Ackermann''s day job of building custom guitar pedals (see Coupled with the solid bass of Jono Mofo and the relentless drumming of Jay Space, the APTBS team is a force to reckon with. These ten songs have been floating around for years on CD-Rs sold at shows and MP3s circling around the Internet, but are presented here uncompressed in their full glory, professionally mastered for CD. From the time that Killer Pimp first approached APTBS to release these songs until the time of the release, interest in the band has exploded, they have played South By Southwest, and have been offered recording deals with bigger sized labels. We''re excited to release these songs because even as self-recorded tracks they are all blistering, intense, energetic, and powerful.  At the time of release, many of these songs are being given new treatments for a wider release on a larger label. This disc serves as a document of the songs dirty and raw early incarnations and will no doubt become a collectors'' item over time.) 24.00

ABUL MOGARD - Above All Dreams DLP (ecstatic - Abul Mogard's first new solo album since 2015’s ‘Circular Forms’, a staggering suite of widescreen landscapes painted in self-built modular synth strokes. Above All Dreams is Abul Mogard’s beautifully absorbing new album for Ecstatic, deploying six longform pieces for the most expansive solo release by Mogard to date. Taking into account its intangible divinity and cinematic quality - the result of no less than three years diligent work - it is arguably elevated to the level of his master opus; presenting a modular distillation of Mogard’s most intoxicating strain of hauntology. Consistent with Mogard’s music since the sought-after VCO tapes c. 2012-2013, the allure to Above All Dreams lies in his ability to evoke and render feelings which are perhaps purposefully avoided in more academic echelons of drone music. Rather than a purist expression of physics thru maths and geometry, Mogard voices his soul, improvising on modular synth for hours, days, months and years in the same way a more conventional “band” develops group intuition. While hands-on, the intuitive evolution of process locates a newfound freedom in his music that implies a recognition of the metaphysical or post-physical, while Mogard explicitly points to influence from the Brazilian music of Tom Zé, Antonio Carlos Jobim and Chico Buarque, whose approach to shape and density, or perceptions of light and delicacy, also go some way to explaining the ephemeral intangibility of Above All Dreams. The results are best considered as the ephemera of non-verbal communications. From the gaseous bloom of Quiet Dreams to the opiated depth of Where Not Even to the starlit awn of Upon The Smallish Circulation, and through the B-side’s keeling, 16 minute+ panoramas of Above All Dreams and The Roof Falls, the power of Abul Mogard’s dreams above all transcends sound, feeling and physics in a truly remarkable way that evades words or concrete notation.) 27.00

ANICON - entropy mantra LP (vendetta - this is a preorder, the lp releases june 30th comes in a gatefoldcover - new album by new york black metallers ANICON, featuring members of krallice, woe, yellow eyes… 'Entropy Mantra' delivers seven new songs, all highlighting and pushing each member to showcase their musical mastery. Soaring, dark and anthemic riffs, intertwining bass and guitars, aggressively tight drums, and thoughtfully complex melodies, ANICON have executed their most commanding music to date. Featuring stunning new artwork by vocalist/guitarist Owen Rundquist.) 15.00

BLEAKNESS - Frozen Refuge LP (destructre - The trio strikes again, a couple of months only after the "Ruined Fate" 7", BLEAKNESS went back to the Swan Sound Studio to record four songs. During this short length of time, the band has managed to flesh itself out. Basically, the formula stays the same but it's brought to the upper level. This 12" is a concentrate of punk-rock driven by inspired guitar melodies and rough vocals. Whether musically or lyrically, passion and sincerity are really tangible in this band. This record comes in the shape of a one-sided 12" with a great silkscreened - b side and cover arts by our friend Jerome Sztuka Wojny. It's a corelease with Kink and Sabotage Records in Germany and La Agonía de Vivir in Spain.) 11.00

DARK TIMES - Tell Me What I Need LP (sheep chase - DARK TIMES' LONG AWAITED SECOND ALBUMA definite proof of the trio's solid control over their compositions, art and catchiness. Melodic, noisy punk with a punch. Their new album shows a band developing their punk roots and influences. The rawness is intact, now set in a grander soundscape opening up a whole new level for the band. With equal parts rock and grungy melodies added to their punk hybrid of noise rock and pop-ish tunes. Produced and mixed by Pål Bredrup (Okkultokrati, Haust) and Trond Mjøen (Haust, Haraball), and mastered by Josh Bonati of Bonati Mastering.) 18.00

DISMALFUCKER / HIGH - split LP (spastic fantastic - A split 12“ that keeps up to the promise of the stunning cover: straight in your face! The weird intro tells already a first guess, a decent mix of shredding and screaming. Virtuosity up my arse, hahaha. This is what it needs to be like: straightforward trashing with the right attitude (“essential boozing, fuck the system”), delivered by the sympathic dudes of DISMALFUCKER, which we already know from other projects. There is almost talk about an all-star band, but when you look at those creatures you would rather think they escaped from the Münster dungeons! Anyway… Crust-Punk is the pigeon-hole called, although a bit overcrowded, it’s still a lot of fun. Some fast parts, then dragging, but always ass kickin’! The vocals remind sometimes of the first Die Kreuzen LP. No shit! Heavy sound and capable instrumentalists, I need a beer right NOW! In case you have to know who’s behind this terrific name, go and check the internet, or even better: join a show of them! I’m not aware of the other band HIGH, but fuck me, this also hits like a beer can in a cop’s face. A lot rougher and more punkie, combined with twisted vocals, and a spurred on guitarist, all up: a hell bent for leather. I always thought there is no more real HC-Punk around…honestly with breathtaking speed, stop-and-go-breaks and with all the trimmings. The Guitarist reminds me a bit, just a tiny bit of Die Kreuzen, but with a pinch of cow-punk or surf, wherever he takes this from…awesome! Did I mention that the bassist is also fast as fuck? No? Sounds like a competition now and then, but it melts together perfectly. These guys know how to start the pit, probably their other projects owed to. Who was again so damn and insanely fast? Sure: Flag of Democracy!…) 11.00

EUTH - s/t LP (react with protest - The debut LP from Wyoming's EUTH. 8 furious tracks of artful hardcore recorded by Jack Shirley.) 12.00

FOAMMM - Dive Into the FOAMMM 12“ (sheep chase - Debut EP from Oslo spacegazers FOAMMM. The band made a mark for themselves with 'There Is Somewhere You Need To Be', and after the release of their video in the beginning of July the word started spreading at a higher pace. The excpectations and the turn out for their gigs have made this clear. On this EP the band shows their diversity, leaving us with great promises of what the future might bring. The release starts a bit downbeat, in a dreamy soundscape with 'In Yourself Believe', before they take us even further out to the outer rim with 'Endless Gazing'. The B-side starts off with the single, 'There Is Somewhere You Need To Be', followed by the just as catchy 'Skip Town'. A remarkable debut, somewhere between shoegaze, slacker rock, dreamy pop and psych) 13.00

FRANCOIS DE ROUBAIX - Le Saut de l'Ange / R.A.S OST LP (transversales - Never before released on LP, the complete original soundtracks of French cult film composer François de Roubaix for director Yves Boisset. Two films that embody the two sides of Francois de Roubaix’s approach to recording. For “Le Saut de L’Ange” (1971), the self-taught composer wrote an orchestration for some fifty musicians playing strings, woodwinds, brass and percussion with two distinct solo instruments alternating the main theme: Indian Sitar on the one hand and accordion on the other. This beautiful score creates the seam that binds Bangkok to Marseille, the two places where the action takes place. R.A.S (1973) was recorded on a 8-track tape recorder, in François de Roubaix’s home studio rue de Courcelle, where most of his 70’s scores were recorded. The result is a mix of military-march rhythms, rolls on the snare-drum with sounds of Synthi AKS syntheziser: de Roubaix invented a modern sound for this contemporary-History tragedy.) 26.00

GIRLS NAMES - Stains On Silence LP (tough love - It stands to reason that many vital albums come critically close to never being made. The eight-track upshot of doubt, upheaval and financial strain, Stains on Silence by Girls Names is one such release. Following 2015’s blitzing Arms Around a Vision, and the parting of drummer Gib Cassidy just over a year later, the Belfast band suddenly found themselves facing down a looming void. “There was a finished – and then aborted – mix of the album, which was shelved for six months,” reveals Girls Names frontman Cathal Cully. “We then took a break from all music and went back to full-time work. We chilled out from the stress of rushing the record and not being happy with it, as well as being skint with no impending touring on the cards and constantly having to worry about rent.” ) 23.00MOKRI - total love LP (sheep chase - Mokri's debut album - 'TOTAL LOVE' - is here! Alternative and experimental post rock/noise rock. Dig into their experiments of pure sound and rythmic rituals - from the tranquility of their plastic pastures, to the intensity of their trips to both outer and inner realms.) 18.00

HAPPY RHODES - Ectotrophia DLP (numero - The first authoritative compilation of American dream pop artist Happy Rhodes, whose singular songwriting and four-octave vocal range emanated from the pastoral confines of upstate New York in the 1980s. Her melding of classical music influences with synthesizer and acoustic guitar, and her enchanting and idiosyncratic singing, are favorably compared to heralded English chanteuse Kate Bush. Fans of such artistic pop music would be remiss to overlook Rhodes’s similarly remarkable and otherworldly sonic transmissions, traversing tales of dreamers, outsiders, lovers and other lovely and terrifying creatures born of a wellspring of wild creativity and bold imagination. Affectionately remastered from the original tapes, Ectotrophia gathers essential songs from Rhodes’s mid-'80s salad days, many written when she was just a teenager—wildly ahead of her time and unafraid to bare her soul to regional audiences, the ectophiles who’d eventually coin an entire subgenre of pop music in her honor. Dive deep into ecto, with the woman who started it all.) 27.00

IAN WILLIAM CRAIG - A Turn of Breath DLP (recital - Recital here presents the premiere LP by vocalist Ian William Craig (b. 1980, Edmonton). Ian, a trained opera singer,  delivers an elegant balance between theatrical and ambient sentiments. A Turn of Breath combines the essence of a choral LP from Angel Records or Deutsche Grammophon with the spontaneity of experimental home-recording. This collection holds twelve works for voice and 1/4″ tape, recorded from 2011-2013. Voice appears as the Sun’s light through a vast storm; still obscured by tape malfunctions and manipulations. A system of reel to reels is employed, which yields a lovely sort of morphing repetition. Each iteration crumbles as more harmony is placed on top, residual tones spilling off the sides into nothingness. Craig’s innate ability to sing beautiful, sorrowful melodies carries each track. The pieces on A Turn of Breath vary from grand choral meditations to quiet interludes, and even a few impressionistic ‘songs’ accompanied by faint acoustic guitar. An overarching warmth resonates through each side, making this a very pleasant listen. A suitable compliment to a pot of coffee in the morning or a glass of armagnac in the evening.) 30.00

INDIAN NIGHTMARE - Taking Back The Land LP (plastic bomb - International punks based in Berlin worshipping speed/thrash metal!) 14.00

JAYE JAYLE - No Trail and Other Unholy Paths LP (Beginning as a flurry of 7” singles housed in bare-bones dust jackets, Jaye Jayle has evolved into a captivating persona alterna for the Louisville-based singer-guitarist Evan Patterson. Imbuing negative space with hallucinatory mantras, Patterson has embraced his strengths as a storyteller while trekking into thickets of unmarked sonic terrain. With his cohorts Todd Cook on bass, Neal Argabright on drums, and Corey Smith on auxiliary instrumentation, Jaye Jayle unfurls a tapestry of neo-folk economy, krautrock-esque repetition, skid row’s darkest blues, Midwestern indie rock’s nihilism, and Tangerine Dream’s analog oscillations. Produced by Dean Hurley, David Lynch’s music supervisor of the last twelve years, No Trail And Other Unholy Paths has transcended the album format, elevating itself to a choose-your-own-adventure experience. Patterson notes that the album bears no specific beginning or ending—Side A and Side B are meant to be interchangeable. The album could open with the fluttering instrumental “No Trail,” or the slow burning synths of “As Soon As The Night,” even the spectral push-pull of “Marry Us,” featuring Emma Ruth Rundle’s spellbinding vocals. Regardless of track sequencing, No Trail And Other Unholy Paths is an album that drives its aural dimensions to the absolute threshold—and then some.) 26.00

JEAN JACQUES PIERRE - Prélude Au Sommeil LP (fantome - **small repress available, clear vinyl edition** Fantome Phonographique present a reissue of Jean-Jacques Perrey's Prélude Au Sommeil, originally released in 1958. Jean-Jacques Perrey was one of the earliest innovators in electronic music, creating a body of work spanning decades that has influenced everyone from Brian Eno to The Beastie Boys. One of the pioneers of musique concrète and electronic tape manipulation, Prélude Au Sommeil ("Prelude to Sleep") is Perrey's debut recording but shows a composer already at maturity. Originally released at the end of the fifties, as a private press under the fake institutional name "Institut Dormiphone", Prélude Au Sommeil consists of two side-long tracks played on the Ondioline (George Jenny's 1941 vacuum-tube based, spring-loaded electronic instrument). The music contained in this mysterious vinyl is like something between dreamy church organ hymns and the keyboard-based minimalism that Philip Glass and Terry Riley developed a decade later. The music of Prélude Au Sommeil was intended as sleep-inducing and tranquilizing for use in mental hospitals. It is unclear if the copies pressed actually had been distributed to mental hospitals or if the whole story was just a fantastical joke on the part of Mr. Perrey. This album is known as a precursor of what would later became known as "ambient music", 20 years before Brian Eno, the Kosmic Courier and the American minimalists. Something vaguely similar to Prélude Su Sommeilcame about five years after its release, when in 1962 Epic Records produced the three volumes of Soothing Sounds For Baby from Raymond Scott. A droning/bubbling work of early electronic, Prélude Au Sommeilvacillates between playful and serious, light and dark, a truly beautiful piece from an icon of electronic music. Essential. Edition of 500.) 20.00

JOHN COLTRANE - Both Directions At Once - The Lost Album DLP (Deluxe Version) (impulse - Deluxe Version includes every take from the session.) 35.00

JOHN COLTRANE - Both Directions At Once - The Lost Album LP (impulse - Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, “like finding a new room in the Great Pyramid.” With the discovery of the ¼”reference tapes that Coltrane took home with him after the recording  session a session that  was completely  unknown  and  for which master tapes don’t exist an important chapter in the evolution of Coltrane’s music can now be heard for the first time. Featuring the Classic Quartet John  Coltrane,  McCoy  Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected and reaching in new, exploratory directions that were to affect the trajectory of jazz from that point forward.) 26.00

MORUS - Ciało Obce LP (ruin nation - "Ciało Obce" is polish for "foreign body" and also the debut album of MORUS from Warsaw/Poland. MORUS play fully charged HARDCORE PUNK that comes along very dynamic but is also ridden with razor sharp edges! Lyrically focused on a deeper socio-political statement against the ongoing repression with an strongly feminist message! Forged in the fires of the warsaw punk underground by members of POST REGIMENT and fellow warsaw punkers ANTIDOTUM, EDELWEISS PIRATEN, ATOMICO PATIBULO & EL BANDA, this just can't go wrong. 12 songs in total. Lyrics are provided in polish and english translations.) 13.00

ROLLING BLACKOUTS C.F. - Hope Downs LP (sub pop - It's rare that a band's debut album sounds as confident and self-assured as Rolling Blackouts Coastal Fever's Hope Downs. To say that the first full-length from the Melbourne quintet improves on their buzz-building EPs from the last few years would be an understatement: the promise those early releases hinted at is fully realized here, with ten songs of urgent, passionate guitar pop that elicit warm memories of bands past, from the Go-Betweens' jangle to the charmingly lo-fi trappings of New Zealand's Flying Nun label. But don't mistake Rolling Blackouts Coastal Fever for nostalgists: Hope Downs is the sound of a band finding its own collective voice. The hard-hitting debut album is a testament to Rolling Blackouts C.F.’s tight-knit and hard-working bonafides. Prior to forming the band in 2013, singers/guitarists Fran Keaney, Tom Russo, and Joe White had played together in various garage bands, dating back to high school. When Rolling Blackouts C.F. started, with Joe Russo [Tom’s brother] on bass, Marcel [Tussie, Joe White's then-housemate] on drums, the chemistry was immediate. After a split EP with You Yangs (another Russo brother's band), released in the form of a frisbee, they self-released Talk Tight in 2015, which Sydney-based record label Ivy League gave a wider release the following year. Talk Tight garnered plaudits from critics, including legendary rock scribe Robert Christgau. In 2017, Sub Pop released The French Press EP, bringing the band's chugging and tuneful non-linear indie rock to the rest of the world as they settled into their sound with remarkable ease. ) 18.00

SPINE - Faith LP (bridge 9 - Kansas City, MO's Spine returns with their second full-length album, "Faith." Spine continues seamlessly blending the sounds of NYHC a la Youth Of Today, Cro-Mags, and Agnostic Front with the whiplash speed and intensity of bands like Infest and Siege. With multiple EPs and a full-length record already under their belt, these nine brand-new songs are Spine's hardest and most focused material to date. LP includes digital download.) 16.00

TERRY FOX - audioworks LP (song cycle - Terry Fox (1943 Seattle / 2008 Cologne) was one of the leading pioneers of American Body Art and Conceptual Art. He became famous in the Seventies with performances and installations, which took their point of origin in the transformative processes of materials, and in which he used his own body as a medium for exploring often extreme psychological and physical experiences. With his lifelong exploration of sound and space, Terry Fox was also one of the pioneers of contemporary Sound Art. Terry Fox belongs to those artists of the 60’s and 70’s who radically rejected traditional art forms and sought new forms of artistic expressions. In numerous installations, performances and street events he directed attention to everyday phenomena and aspects of social existence. He researched unknown or little regarded aspects of energy in substances and materials, most especially sound and vibration. Since the 80’s Terry Fox composed objects, language, acoustic and process-oriented events into multilayered images in space and time. In his later years quiet sounds at the limit of audibility became more and more prominent. This collection of Terry Fox AudioWorks was published in 1983, during the time he lived in Florence, by Maurizio Nannucci in the Recorthings series of audiocassette. Recorthings is a record label linked to the activities of Zona Non Profit Art Space (1974/1985) and to the broadcasting program Zonaradio (1981/1983).) 26.00

YOSHI WADA - Off The Wall LP (important - First vinyl reissue of composer and Fluxus artist Yoshi Wada's second album, Off The Wall, originally released in 1985 by famed free jazz label FMP. Recorded in Berlin on May 11 and 12, 1984, by a quartet featuring Yoshi Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ (hand-built by Wada), and Andreas Schmidt Neri on percussion. Edition of 750. Mastered by Rashad Becker and housed in old-style gatefold jackets printed by Stoughton. "Off The Wall belongs somewhere between the exuberant harmolodic ritual of Ornette Coleman's Dancing In Your Head, a damp, medieval dirge and the inner ear soundings of composer Maryanne Amacher." – David Keenan, The Wire "It may be more accurate to think of Wada as a sculptor than as a composer, because his music seems to be a physical reality, like wood or stone, and also because of the way he treats this material. Most composers work with ideas. Their basic interest is in melodies, harmonies, thematic relationships, tone rows, tonal centers, emotional qualities, and other rather abstract things, all of which can then be conveyed in sound, but none of which really are sound. Wada, on the other hand, works directly with the sound itself. His music would sound silly arranged for church organ for example. And if he prefers to preserve some improvisatory freedom rather than to notate specific musical ideas, this is at least partly because he is not so interested in the kinds of musical ideas that can be written down on paper. He wants to maintain direct contact with the physical reality of the sound." – Tom Johnson) 24.00

ZEAL & ARDOR - stranger fruit DLP (Manuel Gagneux’s latest provocative mix of black metal and black folk music of the South is an absurd union that offers moments of transcendence. Stranger Fruit, the second album by provocative Swiss-American metallurgist Zeal & Ardor, ends with a perfect piece of black metal for 2018. Above an invocation of roaring guitars, Manuel Gagneux begins to sing, his voice bending forward with the urgency of Sam Cooke’s revolutionary soul. “Like a strange fruit out of season, you are bound to die alone,” he starts, his voice floating in and out of a woeful melisma. “You will swing free in the breeze then/You are bound to die alone.” But Gagneux doesn’t stop with a historical lynching; he briskly pulls that terrible past into the worrisome present, noting the senses of isolation, exploitation, and existential anxiety that come with being black (or any sort of outsider, really) in modern America. (pitchfork)) 26.00


V/A - Para Cuando En Mi Te Mueras - 20 Unearthly Sissy And Sassy Hits TAPE (In the age of endless playlists, it's time for an old-fashioned tape compilation. 20 queer/fem* punk bands from Mexico, Chile, Argentina, Brazil, USA, and the UK are sharing this tape. Sissy and sassy sounds range from full throttle hardcore to guitar pop and sludge to abstract noise. This lengthy tracklist travels through different times and ways in which women and queers shaped the way punk manifested itself within its very own oppressive scenes. Varied, confrontational, sweet and often sour, the music on this tape embodies the sheer experience of being othered. Bands include: MORTE LENTA / PALTAX / ARGUMENT? / DIVORCE / DESPERFECTO / DIACATORCE / RAPID TAN / COMFORT / MENTIRA / GUTTERSNIPE / YELT / HEX / CAMPO MARTE / PISSY / CAUSA / WOOLF / TRINCHETA / HETEROFOBIA / CURRENT AFFAIRS / DIAVOL STRAIN Most tracks have been previously unreleased. Some of them a little unheard gems, some are future classics. Get in there and enjoy the ride. The tape comes with a printed j-card and double-sided insert with lyrics, band info and artwork.) 6.00


ALEXANDER HEIR - WARRR2k∞ // Work 2014-2017 BOOK (WARRR2K∞//WORK 2015-17 showcases all of Alexander Heir's visual work created since the release of 2014's Death Is Not the End. Brooklyn artist and musician Alexander Heir has created one of the defining aesthetics of the contemporary underground music scene, through more than 15 years of design and printing work for countless international punk and metal artists. For those who truly crave the transgressive, Heir’s work will connect immediately. His work has graced the albums, singles, and flyers of highly regarded artists such as The Mob, Martin Rev of Suicide, Warthog, and John Carpenter, and his commission work includes ephemera for horror films It Follows and The Puppet Man. Similarly, his clothing brand Death/Traitors has become a counterculture staple, reaching beyond the hardcore punk community, while still embracing its values. Members of Three Six Mafia, Fucked Up, and Odd Future have all been known to support the brand. In addition to his design and commission work, Heir also fronts the industrial punk band L.O.T.I.O.N. and has a prolific artistic practice of personal work. Heir has exhibited around the world, including a solo show at Boo-Hooray in New York City in support of his first book, Death Is Not the End. Heir's art has all the prominent elements of 50 years' worth of subversive underground culture. Somewhere between Japanese wood cuts and Russian prison tattoos, this is the kind of art that gets kids in trouble with their parents. His morbidity, which is blended with a sick humorous quality, has a penchant for the bizarre taboo, and a raw, physical compulsion has allowed him to achieve such delightfully confounding imagery. Referencing an eclectic cache of dark symbols in his unapologetically graphic style, he has created a stunning and recognizable collection of work. Expanding upon war, police brutality, political corruption, and death as his canon of punk subject matter, his latest work brings sci-fi and psychedelia influences into the fold, blending them with his impeccable design aesthetic and signature sense of twisted playfulness. The result shows Heir making his most sophisticated, detailed and demented work to date.) 35.00


BAD BRAINS - Cover T-shirt (red) (plastichead - red Gildan Shirt with muli colored front print in M / L ) 17.00

BAD BRAINS - Cover HOODED SWEATSHIRT (plastuc head - black AWIDIS Zipper Hoodie with Front and Back Print in M / L) 30.00

HEAD WOUND CITY - Two Kids T-SHIRT (Black Gildan Premium Cotton shirt with white front print. Head Wound City is an experimental screamo band featuring members of The Locust, Blood Brothers,…. in S/ M/ L / XL / XXL) 17.00
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